When once we had resolved on our approaching separation we began to reckon the minutes as hours, the hours as days. We would have amassed and concentrated years into the short space of a second, to wrest from time the happiness from which we were to be debarred during so many months. These days were days of rapture, but they had their anguish and their agony; the approaching morrow cast its gloom upon each interview, each look and word, each pressure of the hand. Joys such as these are not joys, but disguised pangs of love and tortures of the heart. We devoted the whole day preceding my departure to our adieus. We wished not to say our last farewell within the shadow of walls, which weigh down the soul, or beneath the eyes of the indifferent, which throw back the feelings on the heart, but beneath the sky, in the open air, in the light, in solitude, and in silence. Nature sympathizes with all the emotions of man; she understands, and, as an invisible confidant, seems to share them. She garners them in heaven, and renders them divine.

In the morning, a carriage, which I had hired for the day, conveyed us to Monceau. The windows were down, the blinds closed. We traversed the almost deserted streets of the more elevated parts of Paris, leading to the high walls of the park. This garden was at that time almost exclusively reserved for their own use by the princes to whom it belonged, and could only be entered on presenting tickets of admission, which were very parsimoniously distributed to a few foreigners or travellers desirous of admiring its wonderful vegetation. I had obtained some of these tickets, through one of my mother's early friends who was attached to the prince's household. I had selected this solitude because I knew its owners were absent, that no admissions were then given, and that the very gardeners would be away enjoying the leisure of a holiday.

Raphael — Part 101

This magnificent desert, studded with groves of trees, interspersed with meadows, and traversed by limpid streams, is also embellished by monuments, columns, and ivy-covered ruins, imitations of time in which art has copied the old age of stone. That day we knew it would be visited only by the bright sunbeams, the insects, the birds, and us. Alas, never were its leaves and its green turf to be watered by so many tears!

Raphael — Part 101