Should it be in the name of conjugal honor that the book be condemned? No, for conjugal honor is represented here by a devoted husband who, after the death of his wife, meets Rodolphe and seeks to find upon the face of the lover the features of the woman he loved. I ask you whether you could stigmatize this woman in the name of conjugal honor when there is not in the book a single word where the husband does not bow before the adulteress?

Should it be in the name of public opinion? No, for public opinion is personified in a grotesque being, in the Homais apothecary surrounded by ridiculous persons whom this woman dominated.

The Public vs. M. Gustave Flaubert — Part 20

Will you condemn it in the name of religious sentiment? No, for this sentiment you see personified in the curate Bournisien, a priest as grotesque as the apothecary, believing only in physical suffering, never in moral, and little more than a materialist.

The Public vs. M. Gustave Flaubert — Part 20

Will you condemn it in the name of the author's conscience? I know not what the author thinks, but in chapter 10, the only philosophical one of his book, I read the following:

The Public vs. M. Gustave Flaubert — Part 20

"There is always after the death of any one a kind of stupefaction; so difficult is it to grasp this advent of nothingness and to resign ourselves to believe in it."

This is not a cry of unbelief, but it is at least a cry of scepticism. Without doubt it is difficult to comprehend and believe it, but why this stupefaction which manifest's itself at death? Why? Because this surprise is something that is a mystery, because it is difficult to comprehend and judge, although one must resign himself to it. And as for me, I say that if death is the beginning of annihilation, that if the devoted husband feels his love increase on learning of the adulteries of his wife, that if opinion is represented by a grotesque being, that if religious sentiment is represented by a ridiculous priest, one person alone is right, and that is Emma Bovary,--Messalina was right against Juvenal.

This is the conclusion of the book, drawn not by the author, but by a man who reflects and goes to the depths of things, by a man who has sought in this book for a person who could rule this woman. There is none there. The only person who ruled was Madame Bovary. It is necessary to seek elsewhere than in the book; we must look to Christian morals, which are the foundation of modern civilization. By this standard all explains itself, all becomes clear.