(69.) Some city ladies are so refined that they do not know or dare not pronounce the names of streets, squares, and public places, which they think are not noble enough to be known. They speak of the _Louvre_, the _Place Royale_, but they use certain circumlocutions and phrases rather than mention some names; and if, by chance, such a word escapes them, it is not without some alteration, and after some changes which reassure them; they are less natural in this than the ladies at court, who, when they have occasion to speak of the _Halles_, the _Châtelet_, or the like, simply say the _Halles_ or the _Châtelet_.[230]

(70.) If people pretend sometimes not to remember certain names which they think obscure, and affect to spoil them in the pronunciation, it is through the good opinion they have of their own names.

The 'Characters' of Jean de La Bruyère — Part 74

(71.) When we are in a good temper, and when we can talk as we like, we often say silly things, which, in truth, we do not pretend to be anything else, and which are considered very good, because they are very bad.[231] This inferior kind of joking, fit only for the mob, has already infected a great part of the youth at court. It is true we need not fear it will spread further, for it is really too insipid and coarse to thrive in a country which is the centre of good taste and politeness. However, it should be rendered distasteful to those who employ it, for though it is never used seriously, yet it continually takes the place of better things in their mind and in their ordinary conversation.

The 'Characters' of Jean de La Bruyère — Part 74

(72.) Between saying bad things or saying such good things which everybody knows, and pretending they are quite new, there is so little difference that I do not know which to choose.

The 'Characters' of Jean de La Bruyère — Part 74

(73.) “Lucanus[232] has said a pretty thing. There is a fine expression in Claudianus.[233] There is a certain passage in Seneca;”[234] and then follow a good many Latin words, often quoted before people who do not know what they mean, though they pretend to understand them. The right thing would be to have sense and intelligence ourselves, for then we might dispense with the ancients, or after having read them carefully, we might still select the best and quote them pertinently.

(74.) Hermagoras[235] knows not who is king of Hungary, and wonders that no one talks about the king of Bohemia.[236] Speak not to him of the wars in Flanders or in Holland,[237] or, at least, you must excuse him from answering any questions about them; he mixes up all dates; he neither knows when they began nor ended; battles and sieges are all new to him; but he is very well read in the Titansʼ war, and can tell you its progress and the most trifling details; nothing has escaped him; he unravels in the same way the horrible chaos of the Babylonian and Assyrian monarchies; he knows intimately the Egyptians and their dynasties. He never saw Versailles, nor ever will; but he has almost seen the tower of Babel, and counted its steps; he has found out how many architects were employed about that building, and even has their names at his fingersʼ ends. He believes Henri IV. to be a son of Henri III.,[238] and neglects to know anything about the reigning houses of France, Austria, and Bavaria. He asks what is the use of studying such trifles; but he can quote to you all the kings of Media and Babylon, and the names of Apronal, Herigebal, Noesnemordach, and Mardokampad[239] are to him as familiar as those of Valois and Bourbon are to us. He has yet to learn that the Emperor[240] is married, but he can tell you that Ninus[241] had two wives. He hears the king enjoys perfect health, and this reminds him that Thetmosis, a king of Egypt, was a valetudinarian, and that he inherited this disposition from his grandfather, Alipharmutosis.[242] What does he not know? What in all venerable antiquity is hid from him? He will tell you that Semiramis, or, as some call her, Serimaris, spoke so much like her son Ninyas, that their voices could not be distinguished from one another; but he dare not decide whether the mother had a manly voice like her son, or the son an effeminate voice like his mother; he will confide to you that Nimrod was left-handed, and Sesostris[243] ambidexter; that it is an error to imagine one of the Artaxerxes was called Longimanus[244] because his arms reached down to his knees, and not because one of his hands was longer than the other; he adds that though some grave authors affirm that it was his right hand, he has good grounds to maintain it was the left hand.