A pura is a Balinese Hindu temple, and the place of worship for adherents of Balinese Hinduism in Indonesia. Puras are built in accordance to rules, style, guidance and rituals found in Balinese architecture. Most puras are found on the island of Bali, where Hinduism is the predominant religion; however many puras exist in other parts of Indonesia where significant numbers of Balinese people reside. Mother Temple of Besakih is the most important, largest and holiest temple in Bali. Many puras have been built in Bali, leading it to be titled "the Island of a Thousand Puras".
Etymology
The term pura originates from the Sanskrit word (-pur, -puri, -pura, -puram, -pore), meaning "city", "walled city", "towered city", or "palace", which was adopted with the Indianization of Southeast Asia and the spread of Hinduism, specially in the Indosphere. During the development of the Balinese language the term pura came to refer to a religious temple complex, while the term puri came to refer to palace, the residence of kings and nobles, similar to Javanese kratons.
Design and layout
Unlike the common towering indoor Hindu temples of the Indian Subcontinent, puras are designed as an open air place of worship within enclosed walls, connected with a series of intricately decorated gates between its compounds. These walled compounds contain several shrines, meru (towers), and bale (pavilions). The design, plan and layout of the pura follows the trimandala concept of Balinese space allocation. Three mandala zones arranged according to a sacred hierarchy: Nista mandala (jaba pisan): the outer zone, which directly connects the pura compound with the outer realm, and the entrance to the temple. This zone usually takes the form of an open field or a garden that can be used for religious dance performances, or act as an additional space for preparations during religious festivals. Madya mandala (jaba tengah): the middle zone of the temple, where the activity of adherents takes place, and also the location for supporting facilities of the temple. In this zone usually several pavilions are built, such as the bale kulkul (wooden Slit drum tower), bale gong (gamelan pavilion), wantilan (meeting pavilion), bale pesandekan, and bale perantenan, the temple's kitchen. Utama mandala (jero): the holiest and the most sacred zone within the pura. This enclosed and typically highest of the compounds usually contains a padmasana, the towering lotus throne of the highest god, Acintya (the Sang Hyang Widhi Wasa, or "All-in-one God", in modern Balinese), the pelinggih meru (a multi-tiered tower-shrine), and several pavilions, such as bale pawedan (vedic chanting pavilion), bale piyasan, bale pepelik (offering pavilion), bale panggungan, bale murda, and gedong penyimpenan (storehouse of the temple's relics).
However, the layout rules for arrangements the facilities of the two outer zones, nista mandala and madya mandala, are somewhat flexible. Several structures, such as the bale kulkul, could be built as outer corner tower; also, the perantenan (temple kitchen) could be located in the Nista mandala.
Gates
There are two types of gates within Balinese architecture: the split gate, known as candi bentar, and the roofed tower gate known as paduraksa or kori agung. Both types of gates have specific roles in Balinese architectural design. Candi bentar is the gate used in the nista mandala, while the kori agung is employed as the gate between the madya mandala and Utama mandala inner compounds. The rules for gate types are also valid for non-religious compounds such as puri, nobles' and kings' residences.