THE NEWCASTLE CHRONICLE.—“Though of a totally different character from ‘Lest We Forget,’ Mr. Hocking’s latest story is entitled to take rank along with that fine romance.”

PUBLIC OPINION.—“His story is quite as good as any we have read of the Stanley Weyman’s school, and presents an excellent picture of the exciting times of Gardiner and Bonner.”

The Tickencote Treasure — Part 199

THE WEEKLY SUN.—“An engaging and fascinating romance. The reader puts the story down with a sigh, and wishes there were more of these breezy Cornish uplands, for Mr. Joseph Hocking’s easy style of narrative does not soon tire.”

The Tickencote Treasure — Part 199

THE ROCK.—“Real strength is shown in the sketches, of which that of Brother Bowman is most prominent. In its way it is delightful.”

The Tickencote Treasure — Part 199

“Weapons of Mystery” is a singularly powerful story of occult influences and of their exertion for evil purposes.

THE SPECTATOR.—“The drawing of some of the characters indicates the possession by Mr. Hocking of a considerable gift of humour. The contents of his book indicate that he takes a genuine interest in the deeper problems of the day.”

THE STAR.—“Great power and thrilling interest. . . . The scenery of the Holy Land has rarely been so vividly described as in this charming book of Mr. Hocking’s.”

THE QUEEN.—“It is exceedingly clever, and excites the reader’s interest and brings out the powerful nature of the clever young minister. This most engrossing book challenges comparison with the brilliance of Lothair.”

THE METHODIST RECORDER.—“This is Mr. Hocking’s strongest and best book. We advise every one to read it. The plot is simple, compact and strenuous; the writing powerful.”

THE CHRISTIAN WORLD.—“This is a notable book. Thoughtful people will be fascinated by its actuality, its fearlessness, and the insight it gives into the influence of modern thought and literature upon the minds and morals of our most promising manhood.”

THE ATHENÆUM.—“The book is to be recommended for the dramatic effectiveness of some of the scenes. The wild, half-mad woman is always picturesque wherever she appears, and the rare self-repression of her son is admirably done.”

THE MANCHESTER EXAMINER.—“Rustic scenes and characters are drawn with free, broad touches, without Mr. Buchanan’s artificiality, and, if we may venture to say it, with more realism than Mr. Hardy’s country pictures.”