It was to six of these young poets he dedicated his last volume of verse, "The Divine Vision" (1904), as he had dedicated his two earlier volumes to poet-mystics, "Homeward" (1894) to Mr. Charles Weekes and "The Earth Breath" (1898) to Mr. Yeats. The young writers (for they were almost all writers as well as actors) we met this Saturday night in Dublin, one and all, looked to "A.E." as leader, and some of them looked to him as high priest of their cult, as seer of that ancient type that combined as its functions the deliverance of religious dicta, prophecy, and song. My thoughts went back to our Concord of half a century ago, yet I wondered was Emerson's fascination as compelling as this.

It was in a commonplace-looking editorial sanctum that I found "A.E." on the following morning, at 22, Lincoln Place, to which he had descended from his office in the Irish Agricultural Organization Society, to edit "The Homestead" in its editor's absence. I was to see him, in the hour I was to spend with him there, in many rôles. First was that of one of the beginners of the Irish Literary Revival. He has himself given the credit to Mr. Standish James O'Grady for furnishing the initial stimulus to the movement, in his "Heroic Period" and "Cuchulain and his Contemporaries" of 1878 and 1880; but to "A.E." and Mr. Yeats and Dr. Hyde also is due much of the credit. Mr. Russell said that when he came up to Dublin, a boy from Lurgan, there was no independent thought in Dublin, but now he thought there was a good deal, and he and his fellows of the Hermetic Society, he took mild pride in believing, had had something to do with the change. Even then, as a boy, he could not read most English literature, and so he took to reading the literature of the East, the Bhagavad-Gîta and the Sufis. From his reading of these, with other young men that somehow found each other out, came the Hermetic Society, at whose meetings everything mystic from the Upanishads to Thomas Taylor was discussed. From the study of the universal, he said, they came at last to the national, to the study of the ancient folk-lore and stories of their people, which, had it not been for the Danes and Normans, would have been shaped into literary form long before now, when, he said, they were only being so shaped.

Irish Plays and Playwrights — Part 63