David Loeb Goodis (March 2, 1917 – January 7, 1967) was an American writer of crime fiction noted for his output of short stories and novels in the noir fiction genre. Born in Philadelphia, Goodis alternately resided there and in New York City and Hollywood during his professional years. According to critic Dennis Drabelle, "Despite his [university] education, a combination of ethnicity (Jewish) and temperament allowed him to empathize with outsiders: the working poor, the unjustly accused, fugitives, criminals."
Biography
Early life
Goodis was born in Philadelphia, Pennsylvania, the oldest child of William Goodis and Mollie Halpern Goodis. William Goodis was a Russian-Jewish émigré born in 1882 who had arrived in America with his mother in 1890. David Goodis's mother, Mollie Halpern, was born in Pennsylvania also into a family of Russian-Jewish émigrés. In Philadelphia, Goodis's father co-owned a newspaper dealership and later went into the textile business as the William Goodis Company. A brother, Jerome, born in 1920, died of meningitis at age three. In 1922, another brother, Herbert, was born into the family.
Goodis attended Simon Gratz High School and was engaged in student affairs, editing the school newspaper, serving as student council president, and participating in athletics as a member of both the track and swim teams. He also had the distinction of being chosen valedictorian for the graduating class of 1935, delivering a speech entitled "Youth Looks at Peace". As a college student, he continued and expanded on the interests he had pursued as a high school student, contributing to the student newspaper as both writer and cartoonist. It was during this period that he purportedly tried his hand at novel writing with a book titled Ignited. The novel was never published, and no copy of it has been discovered. Goodis later claimed: "The title was prophetic. Eventually, I threw it into the furnace." Goodis graduated from Temple University in 1938 with a degree in journalism.
Pulp magazines
While working at an advertising agency, Goodis started writing his first published novel, Retreat from Oblivion. After it was published by Dutton in 1939, Goodis moved to New York City, where he wrote under several pseudonyms for pulp magazines, including Battle Birds, Daredevil Aces, Dime Mystery, Horror Stories, Terror Tales and Western Tales, sometimes churning out 10,000 words a day. The first pulp story published under his own name, titled "Mistress of the White Slave King", appeared in Gangland Detective Stories (November 1939). Over a five-year period, according to some sources, he produced 5 million words for the pulp magazines. While the quantity of his output far eclipses that of his predecessors Dashiell Hammett and Raymond Chandler, unlike theirs, the vast majority of his pulp stories never have been reprinted.
Radio and screenplays
During the 1940s, Goodis scripted radio adventure serials, including Hop Harrigan, House of Mystery, and Superman. Novels he wrote during the early 1940s were rejected by publishers, but in 1942 he spent some time in Hollywood as one of the screenwriters on Universal's Destination Unknown. His big break came in 1946 when his novel Dark Passage was serialized in The Saturday Evening Post, published by Julian Messner, and filmed for Warner Bros. with Humphrey Bogart and Lauren Bacall heading the cast. Delmer Daves directed what is regarded as a classic film noir, and a first edition of the 1946 hardcover is valued at more than $800.
Arriving in Hollywood, Goodis signed a six-year contract with Warner Brothers, working on story treatments and scripts. In 1947, Goodis wrote the script for The Unfaithful, a remake of Somerset Maugham's The Letter. Some of his scripts were never produced, such as Of Missing Persons and an adaptation of Raymond Chandler's The Lady in the Lake. Working with director Delmer Daves, he wrote a screen treatment for Up Till Now, a film which Daves described as "giving people a look at themselves and their [American] heritage". This film, too, was never made, but Goodis used some of its elements in his 1954 novel The Blonde on the Street Corner.
Goodis is also credited with writing the screenplay to The Burglar, a 1957 film noir directed by Paul Wendkos that was based on his 1953 novel published by Lion Books. It was the only solely authored screenplay by him to be produced as a movie. It was remade in 1971 by Henri Verneuil as the French-Italian film Le Casse starring Omar Sharif and Jean-Paul Belmondo.