This peasant girl was self-educated through her own natural meditativeness. If the reader turns to that divine passage in "Paradise Regained" which Milton has put into the mouth of our Saviour when first entering the wilderness, and musing upon the tendency of those great impulses growing within himself-----
"Oh, what a multitude of thoughts at once Awakened in me swarm, while I consider What from within I feel myself, and hear What from without comes often to my ears, Ill sorting with my present state compared! When I was yet a child, no childish play To me was pleasing; all my mind was set Serious to learn and know, and thence to do, What might be public good; myself I thought Born to that end----"
he will have some notion of the vast reveries which brooded over the heart of Joanna in early girlhood, when the wings were budding that should carry her from Orleans to Rheims; when the golden chariot was dimly revealing itself that should carry her from the kingdom of _France Delivered_ to the Eternal Kingdom.
It is not requisite for the honour of Joanna, nor is there in this place room, to pursue her brief career of _action._ That, though wonderful, forms the earthly part of her story; the spiritual part is the saintly passion of her imprisonment, trial, and execution. It is unfortunate, therefore, for Southey's "Joan of Arc" (which, however, should always be regarded as a _juvenile_ effort), that precisely when her real glory begins the poem ends. But this limitation of the interest grew, no doubt, from the constraint inseparably attached to the law of epic unity. Joanna's history bisects into two opposite hemispheres, and both could not have been presented to the eye in one poem, unless by sacrificing all unity of theme, or else by involving the earlier half, as a narrative episode, in the latter; which, however, might have been done, for it might have been communicated to a fellow-prisoner, or a confessor, by Joanna herself. It is sufficient, as concerns _this_ section of Joanna's life, to say that she fulfilled, to the height of her promises, the restoration of the prostrate throne. France had become a province of England, and for the ruin of both, if such a yoke could be maintained. Dreadful pecuniary exhaustion caused the English energy to droop; and that critical opening La Pucelle used with a corresponding felicity of audacity and suddenness (that were in themselves portentous) for introducing the wedge of French native resources, for rekindling the national pride, and for planting the dauphin once more upon his feet. When Joanna appeared, he had been on the point of giving up the struggle with the English, distressed as they were, and of flying to the south of France. She taught him to blush for such abject counsels. She liberated Orleans, that great city, so decisive by its fate for the issue of the war, and then beleaguered by the English with an elaborate application of engineering skill unprecedented in Europe. Entering the city after sunset on the 29th of April, she sang mass on Sunday, May 8th, for the entire disappearance of the besieging force. On the 29th of June she fought and gained over the English the decisive battle of Patay; on the 9th of July she took Troyes by a _coup-de-main_ from a mixed garrison of English and Burgundians; on the 15th of that month she carried the dauphin into Rheims; on Sunday the 17th she crowned him; and there she rested from her labour of triumph. All that was to be _done_ she had now accomplished; what remained was--to _suffer_.