But what are the Russian dead to me? The granite and marble monument of the merchant is a conglomeration of hides, hemp, and tallow; a man may be excused if he linger a moment at the tomb of an interesting woman, a mother cut off in her prime; but melancholy is infectious, and induces drowsiness and closing of the book.
In consideration for my valet, at the grand portal I took a drosky, rolled over the wooden pavement of the Newski Perspective, and, with hardly motion enough to disturb my revery, was set down at the door of my hotel. My Pole was waiting to dine with me, and roused me from my dreams of the dead to recount his dreams of the living. All day he had sat at his window, and a few straggling glances from the lady opposite had abundantly rewarded him, and given him great spirits for his evening's promenade on the Boulevards. I declined accompanying him, and he went alone, and returned in the evening almost in raptures. We strolled an hour by the twilight, and retired early.
It will hardly be believed, but early the next morning he came to my room with a letter on fine pink paper addressed to his fair enslaver. The reader may remember that this was not the first time I had been made a confidant in an affaire du coeur. To be sure, the missionary at Smyrna turned out to be crazy; and on this point, at least, my Pole was a little touched; nevertheless, I listened to his epistle. It was the regular oldfashioned document, full of hanging, shooting, drowning, and other extravagances. He sealed it with an amatory device, and, calling up a servant in his confidence, told him to carry it over, and then took his place in my window to watch the result. In the mean time, finding it impossible to dislodge him, and that I could not count upon him to accompany me on my visits to the palaces as he had promised, I went to the Hermitage alone. The Great and Little Hermitages are connected with the Winter Palace and with each other by covered galleries, and the theatre is connected with the two Hermitages by means of another great arch thrown over a canal, so that the whole present a continued line of imperial palaces, unequalled in extent in any part of Europe, measuring one thousand five hundred and ninety-six feet, or one third of an English mile. If I were to select a building designed to realize the most extravagant notions of grandeur and luxury, it would be the gorgeous palace known under the modest name of the Hermitage. I shall not attempt any description of the interior of this splendid edifice, but confine myself to a brief enumeration of its contents. I ascended by a spacious staircase to the anteroom, where I gave, or, rather, where my cane was demanded by the footman, and proceeded through a suite of magnificent rooms, every one surpassing the last, and richer in objects of the fine arts, science, and literature; embellished throughout by a profusion of the most splendid ornaments and furniture, and remarkable for beauty of proportion and variety of design. In rooms and galleries appropriated to the separate schools and masters are upward of thirteen hundred paintings by Raphael, Titian, Guido, Andrea del Sarto, Luca Giordano, the Caracci, Perugino, Corregio, and Leonardi da Vinci; here is also the best collection in existence, of pictures by Wouvermans and Teniers, with some of the masterpieces of Rubens and Vandyck, of the French Claude, Poussin, and Vernet. The celebrated Houghton collection is here, with a gallery of paintings of the Spanish schools, many of them Murillos.