Across the Bridge began the vegetable and fruit market, where whole Hollands of cabbage and Spains of onions opened on the view, with every other succulent and toothsome growth; and beyond this we entered the glory of Rialto, the fish-market, which is now more lavishly supplied than at any other season. It was picturesque and full of gorgeous color for the fish of Venice seem all to catch the rainbow hues of the lagoon. There is a certain kind of red mullet, called _triglia_, which is as rich and tender in its dyes as if it had never swam in water less glorious than that which crimsons under October sunsets. But a fish-market, even at Rialto, with fishermen in scarlet caps and _triglie_ in sunset splendors, is only a fish-market after all: it is wet and slimy under foot, and the innumerable gigantic eels, writhing everywhere, set the soul asquirm, and soon-sated curiosity slides willingly away.
We had an appointment with a young Venetian lady to attend midnight mass at the church of San Moisè, and thither about half-past eleven we went to welcome in Christmas. The church of San Moisè is in the highest style of the Renaissance art, which is, I believe, the lowest style of any other. The richly sculptured façade is divided into stories; the fluted columns are stilted upon pedestals, and their lines are broken by the bands which encircle them like broad barrel-hoops. At every possible point theatrical saints and angels, only sustained from falling to the ground by iron bars let into their backs, start from the niches and cling to the sculpture. The outside of the church is in every way detestable, and the inside is consistently bad. All the side-altars have broken arches, and the high altar is built of rough blocks of marble to represent Mount Sinai, on which a melodramatic statue of Moses receives the tables of the law from God the Father, with frescoed seraphim in the background. For the same reason, I suppose, that the devout prefer a hideous Bambino and a Madonna in crinoline to the most graceful artistic conception of those sacred personages, San Moisè is the most popular church for the midnight mass in Venice, and there is no mass at all in St. Mark’s, where its magnificence would be so peculiarly impressive.