In the traditional history of the reign of Tarquin Superbus there is included a legend concerning the Sibyl of Cumæ. Of those mysterious women called Sibyls, ten were reputed to have flourished in various parts of the ancient world. She of Cumæ was said to have lived one thousand years; seven hundred of which had expired when Æneas came to Italy and profited by her advice. The probable fact is that there existed a school, or at any rate a succession, of pythonesses at Cumæ, and it is borne out by the fact that to the Sibyl are given no less than seven different names by various ancient authors. These prophetic women used to write their predictions on leaves, which they placed at the entrance of their grotto; and it was very necessary to secure these leaves before they were dispersed by the wind, since, once scattered, they could never again be brought together. It seems, however, that the pythonesses at times transmitted their wisdom in a more substantial manner; for the Sibyl who came to the palace of Tarquin brought with her nine volumes, which she offered for sale at a very high price. On the monarch's refusal to buy them, she burned three of the books, and demanded the same amount for the remaining six. Tarquin declined to purchase these, and she immediately committed three more to the flames, asking the same sum of money for the remainder. This extraordinary conduct so excited the king's curiosity that he bought the books; and the Sibyl vanished, never again to be seen. It is very appropriate that the last of the Sibyls should disappear just as we begin to find verifiable history taking the place of traditional lore.
What the contents of these books were, or whether the king found reason very greatly to regret that he did not accept the Sibyl's first offer of the whole nine, we do not know. That they were highly valued by the Roman people is shown by the fact that a college of priests was instituted to have the care of them; and they remained in existence until the time of Sylla, when they were destroyed in the flames of the Capitol. The Sibylline verses now extant are universally deemed to be spurious.
The name of Tarquin has been placed on the world's roll of dishonor because of the part one of his family played in that sad story which describes how the rule of the kings of Rome came to an end under a cloud of blackness and blood. The tragedy of Lucretia is one of those pictures which are preserved forever on account of their simplicity and naturalness. The figures are almost titanic in their strength; but they will be recognized as typical of humanity in all time. The actions are coarse, because they proceed from the fundamental virtues and vices which are never separate from the hearts of men and women. The great English dramatist has idealized the workings of thought and conscience in the principal actors; but there was really nothing except bare, unadorned humanism in every situation. There was the tyranny which always accompanies unbridled power; there was the honest soldier's outspoken pride in the unrivalled beauty and goodness of his wife at home; there was the brutal animalism of the man who heeded no higher instincts; there was the wounded heart that saw no hope but to retrieve honor at the expense of life; there were ensuing grief and revenge. In all this there is nothing subtle, nothing strange, to human knowledge. It simply masses together all the general experiences of the universal man. Yet here is one of the world's most notable dramas; and the picture is interesting, because it portrays with strong colors in one scene all the great motives and traits which sway and color human life.