A noticeable characteristic of the people was the total absence among them of ceremony, rite, or other observance pertaining to religious worship. That certain phases of superstitious impressions existed among them was evident by their belief in “lucky” and “unlucky” days. Neither a fisherman nor bushman would proceed on their avocations on a Friday, as it was by them devoted to their “Fetish.”[76] Although caste as understood in India is unknown among Fantees, the existence of septs or families approaches in some respects the social and religious divisions of the Hindoos. Each Fantee sept is distinguished by its special badge or armorial bearing, taken usually from some wild animal of the forest, as among Scottish Highlanders and other civilized nations, ancient and modern.
Ten years had nearly elapsed since slavery on the Gold Coast, as in all other British dominions, was abolished. In all but name conditions remained unchanged; former domestic slaves, now called servants, remained with their former owners, by whom they were housed, clothed, and fed as heretofore. It was related that when, in 1838,[77] emancipation was proclaimed, the negroes here appealed against being “sent away,” on the plea that they and their children had ever been cared for; that as freed men and women they were without country to return to, or means of earning their living, save with their old masters and mistresses. Their appeal was listened to, and now (1847), when asked jokingly, rather than in earnest, to whom do they belong, they answer proudly that they are “slave” of, say Mrs. Jackson, Mr. Barnes, Mr. Hutton, and so on, all highly respected residents of Cape Coast.
A “slave” girl of the class alluded to having died, ceremonies, elaborate in kind, took place over her body. Placed in a sitting posture, and so supported in a corner of a room, it was enveloped in a shroud of costly damask; the feet rested upon a cushion similarly covered; neck and arms decorated with heavy ornaments of solid gold; the body embellished by more or less artistic designs composed of gold dust applied to some adhesive material. In the mouth was a twig of shrub; on an adjoining table a goodly supply of rum and tobacco. On the floor of the room sat a crowd of female mourners, whose dirge was loud if not melodious. These ceremonies over, the dead, still covered with ornaments, was deposited in the grave prepared for it in the floor of the dwelling-house of the survivors; but, as stated to us, at the end of a year, the body would be “turned on its side to make it comfortable,” and then the golden ornaments removed.