And then, as the stranger advanced, hesitatingly, into the hall, she found herself confronted by an odd, indeed an amazing figure, which yet also brought a quick sense of being at last in a dear familiar place offering both welcome and shelter. For she was at once aware that this must be the notable Jane Turke, Madame Sampiero's housekeeper, one to whom Barbara's own mother had often referred when telling her little daughter of the delights of Chancton Priory--of the Sussex country house to which, when dying, the thoughts of Richard Rebell's wife seemed ever turning with sick longing and regret.

Mrs. Turke wore a travesty of the conventional housekeeper's costume. There, to be sure, were the black apron and lace cap and the bunch of jingling keys, but the watered silk of which the gown was made was of bright yellow, and across its wearer's ample bosom was spread an elaborate parure of topazes set in filigree gold, a barbaric ornament which, however, did not seem out of place on the remarkable-looking old lady. Two earrings, evidently belonging to the same set, had been mounted as pins, and gleamed on the black lace partly covering Mrs. Turke's grey hair, which was cut in a straight fringe above the shrewd, twinkling eyes, Roman nose, and firm, well-shaped mouth and chin.

Barbara Rebell — Part 22

For a few moments the housekeeper held, as it were, the field to herself: she curtsied twice, but there was nothing servile or menial about the salutation, and each time the yellow gown swept the stone-flagged floor she uttered the words, "Welcome, Ma'am, to Chancton," running her eyes quickly the while over the slender stranger whose coming might bring such amazing changes to the Priory.

Barbara Rebell — Part 22

Then, as Mrs. Rebell, half smiling, put out her hand, the old woman--for, in spite of her look of massive strength Mrs. Turke was by now an old woman--said more naturally, "You don't remember Jane Turke, Ma'am, but Jane Turke remembers you, when you was little Missy, and your dear Mamma used to bring you here as a babby."

Barbara Rebell — Part 22

Mrs. Turke's voice was quite amazingly unlike that which had uttered, close to the door, the few words of what Barbara had felt to be a far sincerer welcome. It was essentially a made-up, artificial voice,--one to which only the old-fashioned but expressive word "genteel" could possibly apply: an intelligent listener could not but feel certain that Mrs. Turke would be bound to speak, if under stress of emotion, in quite other accents.