[Illustration: SHIPPING IN THE THAMES, CIRCA 1660.
(_From Pricke's 'South Prospect of London.'_)]
By leaps and bounds the prosperity of the City increased, and has still continued to increase, for the three hundred years that have passed since Queen Elizabeth opened the Royal Exchange. Whether this prosperity will still further advance; whether forces, as yet unnoticed, will bring about the decay of London, no one can venture to prophecy. Antwerp may again become her rival: may perhaps surpass her; the port of Antwerp is rising yearly in importance: and that of Hamburg further north, has, like Liverpool, its miles of quays and wharves and its hundreds of vessels. But the trade of London is still far greater than that of any other port in the world, and for its three hundred years of prosperity we must thank, above all men, that wise merchant Sir Thomas Gresham.
[Illustration: SIR FRANCIS DRAKE, IN HIS FORTY-THIRD YEAR.
He did more than give an Exchange to the City. He gave a college: he gave his own house in Broad Street for a college: he endowed it with professorships: he intended it to become for London what Christ Church was to Oxford, or Trinity to Cambridge. It has been converted into a place for the delivery of lectures, but there are signs that the City will once more have such a college as Gresham intended.
There were no theatres in England, nor any Plays, before the reign of Queen Elizabeth. This is a statement which is true, but needs explanation. It is not the case that there was no acting. On the contrary, there has always been acting of some kind or other. There was acting at the fairs, where the Cheap Jack and the Quack had their tumbling boys and clowns to attract the crowd. There were always minstrels and tumblers, men and women who played, sang, danced, and tumbled in the hall for the amusement of the great people in the long winter evenings. Not including the wandering mummers, the Theatre was preceded by the Religious Drama, the Pageant, and the Masque.
The Religious Drama was usually performed in churches, but sometimes in market-places and in front of churches. They represented scenes from the Bible and acts of saints. In a time when the people could not read, such shows presented Sacred History in a most vivid form. No one could possibly forget any detail in the Passion of Our Lord who had once seen it performed in a Mystery, with the dresses complete, with appropriate words and action, and with music. In the year 1409 there was a play representing the Creation of the World performed at Clerkenwell. It lasted eight days, and was witnessed by a vast concourse of all ranks. Here were shown Paradise, our first parents, the admonition of the Creator, the Fall, and the expulsion. Such a sight was better than a hundred sermons for teaching the people.