It was to the palace of Afcheh, twenty miles to the north-east of Tehran, that we were riding one hot evening. Our road led us across a sun-scorched plain and over a pass, at the top of which we found ourselves looking down on to a long upland valley. A river ran through it, giving life to a belt of trees and cornfields, and on each side rose the bare mountains which are the Shah’s favourite hunting grounds. Down on the river bank stood a tea-house with an inviting veranda, roofed over with green boughs, under which a group of Persians were sitting, listening with inattentive ears to an excited story-teller while he wove some tale of adventure in the sleepy warmth of the twilight. The veranda was screened from the road by clumps of oleanders, whose pink flowers made an exquisite Japanese setting to the cluster of blue-robed peasants. Beyond the tea-house the river was spanned by a bridge, the arches of which were so skilfully fitted into the opposite hill that a carriage--if ever carriage comes--driving down the steep and crooked path must almost inevitably fall headlong into the water below. Night fell as we made our way along the valley; the moon rose, turning the mountain-sides into gleaming sheets of light, filling the gorges with deepest, most mysterious shadow, and after an hour or two of foot-pace riding, we reached the village of Afcheh, our destination.

In the courtyard of the palace preparations for the night were already afoot. In one corner glowed a charcoal brazier, over which the cook was busily concocting a dinner, a table was spread in the middle, and at the further end, protected from the brilliant moonlight by the shadow of a wall, stood a row of camp-beds, for though numberless empty rooms were at our disposal, we had been warned that they were infested by insects, and had chosen the more prudent course of sleeping in the open air. Fortunately, the night was hot and fine, and the court was amply large enough to serve as kitchen, dining-room, and bedroom.

Safar Nameh, Persian Pictures — Part 54

We retired, therefore, to rest, but an Eastern night is not meant for sleep. The animals of the village shared this conviction to the full. The horses, our near neighbours, moved to and fro, and tugged impatiently against their tethering ropes; a traveller riding down the stony streets was saluted by a mad outcry of dogs, who felt it incumbent upon them to keep up a fitful barking long after the sound of his footsteps had died away; and stealthy cats crept round our beds, and considered (not without envy) the softness of our blankets. It was too light for sleep. The moon flooded high heaven, and where the shadow of the wall ended, the intense brightness beat even through closed eyelids. The world was too lovely for sleep. It summoned you forth to watch and to wonder, to listen to the soft rush of mountain streams and the whispering of poplar leaves, to loiter through the vacant palace rooms where the moonbeams fell in patches from the latticed windows, to gaze down the terraced gardens bathed in the deceptive light which seemed to lay everything bare, and yet hid neglect and decay, to strain your eyes towards the shimmering mud roofs on which the villagers snatched a broken rest, turning over with a sigh and a muttered prayer or rising to seek a smoother bed; and yet away towards the dim ranges of mountains that stretched southwards. All the witchery of an Eastern night lay upon Afcheh--surely, if Shahrazad had but once conducted her lord to his open window, she might have spared her fertile imagination many an effort.

Safar Nameh, Persian Pictures — Part 54