The truth is, of course, that Creighton, disliking Rome and despising the “dying nations” in her communion, wished to say something nasty without too much trouble—a natural and perhaps commendable desire. The Ulster man, when he wants to gratify it, says simply, “To Hell with the Pope”; Creighton, instead of rising to bad language, sank to bad argument, and gave the weight of his personality to the once popular doctrine that a creed is to be honoured in proportion to the wealth and material prosperity of its professors. Yet on all indifferent matters he would have been the first to hold that truth is truth if only one man (and he a scrofulous cripple) believes it, and error error, even though approved by everybody as tall as Creighton and endowed with the particular code of good manners which he approved.

I remember hearing John Morley—it was then impossible to conceive of him as containing the germ of John Viscount Morley—addressing one of the many “flowing tide” meetings which were among the chief public events of the early Nineties. I can recall nothing of the speech, except that it was about the Irish question; Mr. Morley had just been over to Ireland, and some officious policeman had struck him with a baton, or something of that sort—a proceeding which had naturally annoyed him, and imparted some acerbity to his remarks. But, of course, the speech was less interesting than the speaker. This, then, was the great John Morley, who wrote such beautiful English and spelt “God” with a small “g”—this prim, frock-coated figure, with an indefinable suggestion of the Nonconformist; slight, with the stoop of the student; the face deeply indented with crow’s-feet, but in no sense pallid, rather with the kind of unfresh floridity so often seen in the Law Courts; a sort of quiet fatigue pervading the whole, like the American character in Dickens who was “used up considerable”; the eyes at once keen and weary, like all eyes that are the overworked instruments of an active brain depending chiefly on printed matter for its impressions; the forehead well-shaped, but not impressive; everything about him suggestive rather of completeness than mass or power; the whole man compact, agile, highly articulate, trained to the last ounce, notable enough, but hardly great. Not naturally an intellectual Hercules, one would say; rather an example of the fitness that comes of a tidy habit of life and regular work at the bedroom exerciser.

Portraits of the Nineties — Part 84