"Does not the corruption and folly of men in high places eat into your heart like a canker!"
The greatest perhaps of British humorists, he died mad and miserable; and died as he expected to die. His other monument is Swift's Hospital, built for a madhouse out of the money willed by him in a bequest, which his savage pen thus characterized:--
"He left the little wealth he had To build a house for fools and mad, And showed by one satiric touch No nation wanted it so much".
In the north transept an epitaph written by Swift marks the tomb of "Mrs. Hester Johnson, better known to the world by the name of 'Stella', under which she is celebrated in the writings of Dr. Jonathan Swift, Dean of this Cathedral". The world has always wanted to know, and never will know for certain, whether she ought to have borne the name of him who celebrated her. But his bones were laid by hers, and still lie there, under a column in the nave; though the indecency of antiquarians dragged out their skulls when the cathedral was under restoration, made a show of them at parties, and preserved a memorial of this outrage in plaster casts, now deposited in the robing-room.
You can see also, in the vestry, not a cast, but the authentic skull of William's General Schomberg, who fell in glory at the head of victorious troops crossing the Boyne. You can read also Swift's epitaph on the tomb which Schomberg's relatives and heirs declined to pay for, leaving the pious task to Swift and his chapter. The Latin sentence keeps the vibrant ring of Swift's indignation. If only his ghost could write the epitaph of those who ransacked tombs and groped among mouldering relics of the immortal and unforgotten dead, to find objects for a peepshow! Yet after all it is in keeping with the story. In the dark end of Swift's life, while he paced his guarded room between keepers, servants used to admit strangers for a fee, to see that white-haired body which had once housed so great and terrible a mind.
St. Patrick's Cathedral, which Swift made famous, dates, like Christ Church, from Norman builders; but it was renovated fifty years ago at the cost of Sir Benjamin Guinness, head of the famous brewery. Christ Church, on the other hand, was rebuilt out of whisky--the restorer was Mr. Henry Roe. Broadly speaking, the century which began with the legislative Union was marked in Dublin by the growth of distilling and brewing and the decay of all other industries. Guinness's is to-day one of the sights of the city, and admission by order, easily procurable, will take the visitor over the biggest thing of its kind anywhere to be seen--and, let it be said, one of the best managed. Nowhere are workmen better treated, and no rich manufacturers have made more public-spirited use of their wealth. Dublin owes to Lord Ardilaun not only the opening but the beautification of St. Stephen's Green, once an enclosure but now a very attractive public park in the middle of the city's finest square. We may well thank Providence for this one great industry--but of how many it has had to take the place!