Collotype plate, from a photograph by Hanfstaengl of the original at Munich
From a photograph by Mansell & Co. of the original in the Archaic Room, British Museum. These three figures may indicate the progress of early Greek sculpture in expressing the human figure. There is little ground for calling these figures “Apollo.” They may equally well be human athletes
18 HEAD OF APOLLO, FROM THE WESTERN PEDIMENT, OLYMPIA 76
Collotype plate, from a photograph by the English Photo Co., Athens, of the marble at Olympia. _See_ p. 70
From a photograph by Anderson of a cast from the original in a private collection at Rome. The copy in the British Museum (drawn on p. 80) has the head reversed. _See_ p. 81
From a photograph by Mansell & Co. He is binding the victor’s garland round his forehead. This is, perhaps, the best of several copies made from the famous original, but it is much restored and probably not a very faithful copy
20 THE “DORYPHORUS” OF POLYCLEITUS (FIG. 1) 82
From a photograph by Alinari. _See_ p. 81. The recent discovery of the Agias (Pl. 51) has proved that this is not, as was formerly supposed, a true example of the work of Lysippus
From a photograph by Mansell & Co. of a cast from the original at Delphi. _See_ p. 81
22 VIEW OF MODERN SPARTA, WITH MOUNT TAYGETUS 86
From a photograph by the English Photo Co., Athens. _See_ p. 87
Collotype plate, from a photograph by Anderson. Represents a competitor in the girls’ foot-race which took place at Olympia in honour of Hera. The original must have been in bronze, but this marble copy reproduces its archaic character. _See_ p. 83
24 ATHENA PROMACHOS, FROM A PANATHENAIC AMPHORA 94
Drawn from Vase B 140 in the Second Vase Room, British Museum (Case I). _See_ pp. 95 and 112
25 DEMETER, PERSEPHONE, AND TRIPTOLEMUS (ELEUSINIAN RELIEF) 98
From a photograph by the English Photo Co. of the original marble relief at Athens. _See_ p. 98
From a photograph by the English Photo Co., Athens, of the original bronze statuette in the Acropolis Museum. _See_ p. 102
Collotype plate, from a photograph of the originals in the British Museum, Second Vase Room, Case 8, A 1430, and Case 16, B 29. The style of these vases may be distinguished by the purple tones of the colouring and the Oriental character of the designs. _See_ Vase Plate, Fig. 1, and p. 105