From photographs by Mansell & Co. of the originals in the Elgin Room, British Museum. _See_ p. 151
41 PORTIONS OF THE EAST FRIEZE OF THE PARTHENON 148
Figures referenced, 30-48 in the British Museum. _See_ p. 154
42 PORTIONS OF THE WEST FRIEZE OF THE PARTHENON 150
Figures referenced, 2-3, 16-19, and 28-30 in the British Museum. From photographs by Mansell & Co. of the originals and casts in the British Museum. (Some of the marbles are still _in situ_ at Athens.) _See_ p. 155
From a photograph by Mansell & Co. of the marble copy in the British Museum. The old Greek striking down an Amazon is said to be a portrait of Pheidias by himself. _See_ p. 156
From a drawing by R. Bohn in the British Museum. _See_ p. 163
Collotype plate, from a photograph by Tamme of the marble at Dresden, completed by Furtwängler from the head at Bologna. _See_ P. 157
Collotype plate, from a photograph by Alinari of the marble at Bologna. _See_ p. 158
From a photograph by Mansell & Co. of the original bronze in the British Museum, after Myron. _See_ p. 159
From a photograph of the original at Olympia
From a photograph of the original at Florence. _See_ p. 161
48 THE PARTHENON: MODERN VIEW FROM NORTH-WEST 164
From a photograph by the English Photo Co., Athens. _See_ p. 163
49 THE TEMPLE OF NIKÈ APTEROS (THE WINGLESS VICTORY) (FIG. 1) 166
From a photograph by the English Photo Co., Athens. _See_ p. 164
49 THE CARYATID PORCH OF THE ERECHTHEUM (FIG. 2) 166
From a photograph by the English Photo Co., Athens. Really a temple of Hephæstus. _See_ p. 167
From a photograph by the English Photo Co., Athens. A marble statue recently discovered at Delphi. It can be identified as a contemporary replica of a bronze by Lysippus, and is our only certain evidence of his style. _See_ pp. 169 and 218
52 THE TEMPLE OF APOLLO AT PHIGALEIA [BASSÆ] 172
From a photograph by the English Photo Co., Athens. _See_ p. 169
From photographs by Mansell & Co. of the originals, now in the British Museum (Phigaleian Room). _See_ p. 170
From a photograph by the English Photo Co., Athens. The best extant example of a Greek theatre. In the centre is the circular _orchestra_, where the chorus danced and sang, and behind it are relics of the stage-buildings. In the centre of the orchestra was an altar of Dionysus. This theatre was built about the middle of the fourth century B.C. The auditorium would hold about 15,000 spectators. _See_ p. 175