In letter-writing perfection of style is its own recommendation, and long after the substance of a letter has lost its savour, the form retains its original or, it may be, an added charm. Or if the author be the founder of a sect or a school, his writings, in whatever form, are received by the initiated with unquestioning and insatiable delight. But Coleridge's letters lack style. The fastidious critic who touched and retouched his exquisite lyrics, and always for the better, was at no pains to polish his letters. He writes to his friends as if he were talking to them, and he lets his periods take care of themselves. Nor is there any longer a school of reverent disciples to receive what the master gives and because he gives it. His influence as a teacher has passed into other channels, and he is no longer regarded as the oracular sage "questionable" concerning all mysteries. But as a poet, as a great literary critic, and as a "master of sentences," he holds his own and appeals to the general ear; and though, since his death, in 1834, a second generation has all but passed away, an unwonted interest in the man himself survives and must always survive. For not only, as Wordsworth declared, was he "a wonderful man," but the story of his life was a strange one, and as he tells it, we "cannot choose but hear." Coleridge, often to his own detriment, "wore his heart on his sleeve," and, now to one friend, now to another, sometimes to two or three friends on the same day, he would seek to unburthen himself of his hopes and fears, his thoughts and fancies, his bodily sufferings, and the keener pangs of the soul. It is, to quote his own words, these "profound touches of the human heart" which command our interest in Coleridge's Letters, and invest them with their peculiar charm.

At what period after death, and to what extent the private letters of a celebrated person should be given to the world, must always remain an open question both of taste and of morals. So far as Coleridge is concerned, the question was decided long age. Within a few years of his death, letters of the most private and even painful character were published without the sanction and in spite of the repeated remonstrances of his literary executor, and of all who had a right to be heard on the subject. Thenceforth, as the published writings of his immediate descendants testify, a fuller and therefore a fairer revelation was steadily contemplated. Letters collected for this purpose find a place in the present volume, but the selection has been made without reference to previous works or to any final presentation of the material at the editor's disposal.

Letters of Samuel Taylor Coleridge, Vol. I (of 2) — Part 4