This cemetery is quite out of the city; there being no dwelling or enclosure of any kind beyond it. On approaching it, the front on the street presents the appearance of a lofty brick wall of very great length, with a spacious gateway in the centre. This gateway is about ten feet deep; and one passing through it, would imagine the wall of the same solid thickness. This however is only apparent. The wall which surrounds, or is to surround the four sides of the burial-ground, (for it is yet uncompleted,) is about twelve feet in height, and ten in thickness. The external appearance on the street is similar to that of any other high wall, while to a beholder within, the cemetery exhibits three stories of oven-like tombs, constructed _in_ the wall, and extending on every side of the grave-yard. Each of these tombs is designed to admit only a single coffin, which is enclosed in the vault with masonry, and designated by a small marble slab fastened in the face of the wall at the head of the coffin, stating the name, age, and sex of the deceased. By a casual estimate I judged there were about eighteen hundred apertures in this vast pile of tombs. This method, resorted to here from necessity, on account of the nature of the soil, might serve as a hint to city land-economists.
When I entered the gateway, I was struck with surprise and admiration. Though destitute of trees, the cemetery is certainly more deserving, from its peculiarly novel and unique appearance, of the attention of strangers, than (with the exception of that at New-Haven, and Mount Auburn,) any other in the United States. From the entrance to the opposite side through the centre of the grave-yard, a broad avenue or street extends nearly an eighth of a mile in length; and on either side of this are innumerable isolated tombs, of all sizes, shapes, and descriptions, built above ground. The idea of a Lilliputian city was at first suggested to my mind on looking down this extensive avenue. The tombs in their various and fantastic styles of architecture--if I may apply the term to these tiny edifices--resembled cathedrals with towers, Moorish dwellings, temples, chapels, palaces, _mosques_--substituting the cross for the crescent--and structures of almost every kind. The idea was ludicrous enough; but as I passed down the avenue, I could not but indulge the fancy that I was striding down the Broadway of the capital of the Lilliputians. I mention this, not irreverently, but to give you the best idea I can of the cemetery, from my own impressions. Many of the tombs were constructed like, and several were, indeed, miniature Grecian temples; while others resembled French, or Spanish edifices, like those found in "old Castile." Many of them, otherwise plain, were surmounted by a tower supporting a cross. All were perfectly white, arranged with the most perfect regularity, and distant little more than a foot from each other. At the distance of every ten rods the main avenue was intersected by others of less width, crossing it at right angles, down which tombs were ranged in the same novel and regular manner. The whole cemetery was divided into squares, formed by these narrow streets intersecting the principal avenue. It was in reality a "City of the Dead." But it was a city composed of miniature palaces, and still more diminutive villas.