Mrs. Warren's Profession is a play written by George Bernard Shaw in 1893, and first performed in London in 1902. It is one of the three plays Shaw published as Plays Unpleasant in 1898, alongside The Philanderer and Widowers' Houses. The play is about a former prostitute, now a madam (brothel proprietor), who attempts to come to terms with her disapproving daughter. It is a problem play, offering social commentary to illustrate Shaw's belief that the act of prostitution was not caused by moral failure but by economic necessity. Elements of the play were borrowed from Shaw's 1882 novel Cashel Byron's Profession, about a man who becomes a boxer due to limited employment opportunities.
Summary
The story centres on the relationship between Mrs Kitty Warren and her daughter, Vivie. Mrs. Warren, a former prostitute and current brothel owner, is described as "on the whole, a genial and fairly presentable old blackguard of a woman." Vivie, an intelligent and pragmatic young woman who has just graduated from university, has come home to get acquainted with her mother for the first time in her life. The play focuses on how their relationship changes when Vivie learns what her mother does for a living. It explains why Mrs. Warren became a prostitute, condemns the hypocrisies relating to prostitution, and criticises the limited employment opportunities available for women in Victorian Britain.
Plot
Vivie Warren, a thoroughly modern young woman, has just graduated from the University of Cambridge with honours in Mathematics (equal Third Wrangler), and is available for suitors. Her mother, Mrs. Warren (her name changed to hide her identity and give the impression that she is married), arranges for her to meet her friend Mr. Praed, a middle-aged, handsome architect, at the home where Vivie is staying. Mrs. Warren arrives with her business partner, Sir George Crofts, who is attracted to Vivie despite their 25-year age difference. Vivie is romantically involved with the youthful Frank Gardner, who sees her as his meal ticket. His father, the (married) Reverend Samuel Gardner, has a history with Vivie's mother. As we discover later, he may be Vivie's out-of-wedlock father, which would make Vivie and Frank half-siblings. Mrs. Warren successfully justifies to her daughter how she chose her particular profession in order to support her daughter and give her the opportunities she never had. She saved enough money to buy into the business with her sister, and she now owns (with Sir George) a chain of brothels across Europe. Vivie is, at first, horrified by the revelation, but then lauds her mother as a champion. However, the reconciliation ends when Vivie finds out that her mother continues to run the business even though she no longer needs to. Vivie takes an office job in the city and dumps Frank, vowing she will never marry. She disowns her mother, and Mrs. Warren is left heartbroken, having looked forward to growing old with her daughter.
Origins
Shaw said he wrote the play "to draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together." Shaw "addresses a social problem, organized prostitution, and dramatizes it through the character Vivie Warren."
He explained the source of the play in a letter to the Daily Chronicle on 28 April 1898:
Miss Janet Achurch [an actress and friend of Shaw’s] mentioned to me a novel by some French writer [Yvette by Guy de Maupassant] as having a dramatisable story in it. It being hopeless to get me to read anything, she told me the story... In the following autumn I was the guest of a lady [Beatrice Webb] of very distinguished ability—one whose knowledge of English social types is as remarkable as her command of industrial and political questions. She suggested that I should put on the stage a real modern lady of the governing class—not the sort of thing that theatrical and critical authorities imagine such a lady to be. I did so; and the result was Miss Vivie Warren ... Mrs. Warren herself was my version of the heroine of the romance narrated by Miss Achurch. The tremendously effective scene—which a baby could write if its sight were normal—in which she justifies herself, is only a paraphrase of a scene in a novel of my own, Cashel Byron's Profession (hence the title, Mrs Warren's Profession), in which a prize-fighter shows how he was driven into the ring exactly as Mrs. Warren was driven on the streets.