Under the influence of a spirit like that of Charles the Third, during a reign protracted to twenty-nine years, there was a new and considerable advancement in whatever tends to make life desirable, of which the country on all sides gave token. The population, which had fled or died away, seemed to spring up afresh in places that oppression had made desert, and having regained something under the first of the Bourbons, it now, under the third, recovered rapidly the numbers it had lost in the days of the House of Austria, by wars all over the world, by emigration, by the persecution of the Jews and the expulsion of the Moriscos, by bad legislation, and by the cruel spirit of religious intolerance. The revenues in the same period were increased threefold, without adding to the burdens of the people; and the country seemed to be brought from a state of absolute bankruptcy to one of comparative ease and prosperity. It was certain, therefore, that Spain was not falling to ruin, as it had been in the time of Charles the Second.[323]

[323] Tapia, Tom. IV. pp. 124, etc. When the Emperor Charles V. came to the throne, Spain counted ten and a half millions of souls; at the time of the treaty of Utrecht, it counted but seven millions and a half; a monstrous falling off, if we consider the advancement of the rest of Europe during the same period.

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But all intellectual cultivation is slow of growth, and all intellectual reform still slower. The life and health infused into the country were, no doubt, felt in every part of its physical system, reviving and renewing the powers that had been so long wasted away, and that at one period had seemed near to speedy dissolution. But it was obvious, that much time must still elapse before such healthful circulations could reach the national culture generally, and a still longer time before they could revive that elegant literature, which is the bright, consummate flower of all true civilization. Yet life was beginning to be seen. It was a dawn, if it was nothing more.

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The first striking effect produced by this movement in the reigns of Ferdinand the Sixth and Charles the Third was one quite in sympathy with the spirit of the nation, then resisting the ecclesiastical abuses that had so long oppressed it. It was an attack on the style of popular preaching, which, originally corrupted by Paravicino, the distinguished follower of Góngora, had been constantly falling lower and lower, until, at last, it seemed to have reached the lowest point of degradation and vulgarity. The assailant was Father Isla, who was born in 1703 and died in 1781, at Bologna, where, being a Jesuit, he had retired, on the general expulsion of his Order from Spain.[324] His earliest published work is his “Triumph of Youth,” printed in 1727, to give the nation an account of a festival, celebrated that year during eleven days at Salamanca, in honor of two very youthful saints who had been Jesuits, and who had just been canonized by Benedict the Thirteenth; a gay tract, full of poems, farces, and accounts of the maskings and bull-fights to which the occasion had given rise, and coming as near as possible to open satire of the whole matter, but yet with great adroitness avoiding it.

History of Spanish Literature, vol. 3 (of 3). — Part 194