Sacred pollen, _hádĭntĭn_, is used in all ceremonies, particularly in those designed for healing. The principal source of _hádĭntĭn_ is the tule, but much of it comes from the piñon. For prayers invoking an abundance of corn, pollen is mixed with cornmeal. Not only do the medicine-men use this powder, but each individual carries a small quantity of it in a deerskin pouch somewhere about his person. In the pollen may be small medicine trinkets—sometimes consisting of a few shell beads from prehistoric ruins—and there is scarcely a person, old or young, who does not have a small section of the candle cactus fastened somewhere about his clothing.
When childbirth approaches, the medicine-men are always summoned. Nothing can give a better idea of the medicine rites on such an occasion, and of the use of sacred pollen, than a description of a maternity belt procured by the writer and here illustrated. So far as can be learned, this belt is very old, so old that its painted symbolic figures have been three times renewed. Belts of this kind are very rare, and are hired whenever their use is required. The owner of this particular belt, a widow, did not care to dispose of it; as she expressed it, "it is like a husband": the remuneration from granting its use was sufficient to support her.
The belt is made from skin of the mountain lion, the black-tail deer, the white-tail deer, and the antelope—animals which give birth to their young without trouble. Medicine-men are called in to pray to the spirits of these animals when a woman approaching confinement puts on the belt. It is worn for a day or so only, but constantly during the critical period, not being removed until after the child is born. Prayers are made, first by a mother or father for their daughter, then by a medicine-man, and lastly by the patient to the gods and elements depicted on the belt. These figures are all connected with lightning lines. The first one to the left is Stĕnátlĭhăn; on the same portion is the Snake Girl, Klĭshcho Nalí̆n; the next is Nayé̆nĕzganĭ, the third Tubadzĭschí̆nĭ, and the last Yólkai Nalí̆n. The sharp points around the circular abodes of the two goddesses represent barricades for protection. At the real homes of these deities, none can pass through these barriers.