He will assuredly pity me. The thought of his own boy, your brother, whom you once mentioned, and whom Mr. Johnston informed me “died young” after some great dereliction--this thought may make him deal gently with me. Whether he will ever forgive me, or receive me into his family, remains doubtful. It is with the fear of this, or any other possibility which I cannot now foresee, that I write this letter; in order that whatever happens, my Theodora may be acquainted with my whole history.

My Theodora! Some day, when she comes to read a few pages which I seal up to-night, marking them with her name, and “To be delivered to her after my death,” she will understand how I have loved her. Otherwise, it never could have been found out, even by her--for I am not a demonstrative man. Only my wife would have known it.

A Life for a Life, Volume II (of III) — Part 106

In case this letter and those other letters do reach you, they will then be your last mementos of me. Read them and burn them; they are solely meant for you.

A Life for a Life, Volume II (of III) — Part 106

Should all go well, so that they become needless, we will, as I said, burn them together, read or unread, as you choose. You shall do it with your own hand, sitting by me, at our own fireside. _Our_ fireside. The thought of it--the terror of losing it, makes me almost powerless to write on. Will you ever find out how I love you, my love--my love!

A Life for a Life, Volume II (of III) — Part 106

I begin by reminding you that I have been long aware your name is not properly Johnston. You told me yourself that the _t_ had been inserted of late years. That you are not an aristocratic, but a plebeian family. My thankfulness at learning this, you will understand afterwards.

That cathedral clock--how it has startled me! Striking twelve with the same tongue as it did twenty years ago. Were I superstitious, I might fancy I heard in the coffee-room below, the clink of glasses, the tune of “Glorious Apollo,” and the “Bravo,” of that uproarious voice.

The town is hardly the least altered. Except that I came in by railway instead of by coach, it might be the very same Salisbury on that very same winter's night--the quaint, quiet English town that I stood looking at from this same window--its streets shining with rain, and its lights glimmering here and there through the general gloom. How I stared, boy-like, till _he_ came behind and slapped me on the shoulder. But I have a few things to tell you before I tell you the history of that night. Let me delay it as long as I can.