Colonel Philibert and Master Pothier rode up the broad avenue that led to the Château, and halted at the main gate--set in a lofty hedge of evergreens cut into fantastic shapes, after the fashion of the Luxembourg. Within the gate a vast and glowing garden was seen--all squares, circles, and polygons. The beds were laden with flowers shedding delicious odors on the morning air as it floated by, while the ear was soothed by the hum of bees and the songs of birds revelling in the bright sunshine.
Above the hedge appeared the tops of heavily-laden fruit-trees brought from France and planted by Talon--cherries red as the lips of Breton maidens, plums of Gascony, Norman apples, with pears from the glorious valleys of the Rhone. The bending branches were just transmuting their green unripeness into scarlet, gold, and purple--the imperial colors of Nature when crowned for the festival of autumn.
A lofty dove-cote, surmounted by a glittering vane, turning and flashing with every shift of the wind, stood near the Château. It was the home of a whole colony of snow-white pigeons, which fluttered in and out of it, wheeled in circles round the tall chimney-stacks, or strutted, cooing and bowing together, on the high roof of the Château, a picture of innocence and happiness.
But neither happiness nor innocence was suggested by the look of the Château itself, as it stood bathed in bright sunshine. Its great doors were close-shut in the face of all the beauty of the world without. Its mullioned windows, that should have stood wide open to let in the radiance and freshness of morning, were closely blinded, like eyes wickedly shut against God's light that beat upon them, vainly seeking entrance.
Outside all was still: the song of birds and the rustle of leaves alone met the ear. Neither man nor beast was stirring to challenge Colonel Philibert's approach, but long ere he reached the door of the Château, a din of voices within, a wild medley of shouts, song, and laughter, a clatter of wine-cups, and pealing notes of violins struck him with amazement and disgust. He distinguished drunken voices singing snatches of bacchanalian songs, while now and then stentorian mouths called for fresh brimmers, and new toasts were drunk with uproarious applause.