There are two references in “The Antiquary” to contemporary history, which ought not to be entirely overlooked; one where the Antiquary describes the excitement of preparation in Edinburgh against the anticipated French invasion, when almost every individual was enrolled either in military or civil capacity. Beacons were erected along the coast to summon the newly organized army of defense when occasion required, and Scott humorously refers, in one of his letters, to the appearance he himself made decked out in regimentals. Near the close of “The Antiquary” the signal light blazes out by mistake the 2d of February, 1804; the person, who kept watch on the commanding station of Home Castle, being deceived by some accidental fire in the county of Northumberland. The only historical allusion in “St. Ronan’s Well” relates to the Reign of Terror and to Napoleon Bonaparte at Acre.
The twenty-six novels and five poems of Sir Walter, therefore, unite the two greatest events of Europe—the wars of the Crusades, and the exploits of Napoleon and the French Revolution. In “Count Robert of Paris” we see Constantinople in her glory, under the rule of the crafty Alexius. We hear the tread of armed hosts passing and repassing along the great highway of the world. In “The Betrothed” we see England aroused by the voice of her eloquent Archbishop. In “The Talisman” we see the craft of Saladin opposed to the discordant army of Richard the Lion-hearted. In “Ivanhoe” we find Saxon and Jew pressed down under the heel of the Norman. We see Scotland rescued from the oppression of England in “Castle Dangerous” and the “Lord of the Isles.” We note the state of the Highlands in 1402 in the “Fair Maid of Perth,” and trace the wiles and craft of the French Emperor in “Louis the Eleventh,” and in “Anne of Geierstein.” We visit with “Marmion” the Battle-field of Flodden, we see the light glimmer in the Chancel of Melrose as we turn the pages of “The Lay of the Last Minstrel,” and wander with James the Fifth in disguise through the wild passes of the Trosachs. In the “Monastery” and “Abbot” we read the history of the Catholic and Protestant struggle in Scotland, we weep with the unfortunate Mary, and glory in the triumph of Knox. In “Kenilworth” we see the power and weakness of the Virgin Queen, and look into the sad eyes of Amy Robsart sacrificed upon the altar of ambition.