D'OYLY, SIR CHARLES.--Tom Raw, the Griffin: a Burlesque Poem, in twelve cantos: illustrated by twenty-five engravings, descriptive of the Adventures of a Cadet in the East India Company's service . . . by a Civilian and an Officer of the Bengal establishment London: printed for R. Ackermann . . . M.DCCC.XXVIII. _Royal 8vo, red levant morocco, gilt back, gilt top, uncut edges, by Amand._
The twenty-five plates, coloured, are somewhat in the manner of Rowlandson.
DRAKE, JOSEPH RODMAN.--The Culprit Fay and other poems. By Joseph Rodman Drake. New York: George Dearborn, . . . 1835. _8vo, blue levant morocco, Janseniste, gilt top, uncut edges, by Rivière._
First edition. Portrait, frontispiece-title, three inserted plates and two vignettes, proofs on India paper.
DRAKE AND HALLECK.--The Croakers, by Joseph Rodman Drake and Fitz-Greene Halleck. First Complete Edition. New York MDCCCLX. _Royal 8vo, blue morocco, back and sides in gilt tools and mosaic, gilt top, uncut edges, by Pawson and Nicholson._
Portraits of the authors, and (inserted) an autograph letter from Halleck and forty-one portraits and views of New York.
No. 2 of the Bradford Club publications, and No. 127 of one hundred and fifty subscriber's copies printed.
DRAKE AND HALLECK.--The Croakers. 1860. _Royal 8vo, green levant morocco, gilt fillets, gilt edges, by The Club Bindery._
No. 7 of one hundred Club copies printed, extra-illustrated by the insertion of sixty-six plates, including portraits and early views of New York, many in proof state.
DRAKE, JOSEPH RODMAN.--See Halleck, Fitz-Greene.
DRAKE, NATHAN.--Essays, biographical, critical, and historical, illustrative of the Tatler, Spectator, and Guardian. By Nathan Drake, M.D. . . . London: printed by C. Whittingham, . . . for John Sharpe, . . . 1805. _Post 8vo, three volumes, blue levant morocco, gilt back, gilt top, uncut edges._
Large paper copy, with three portraits in Volume I, by P. W. Tomkins, F. Bartolozzi, and N. Schiavonetti after H. Thomson, J. Richardson, and Kneller; and twelve portraits in Volume III after Kneller, Woolaston, Zinck and five others. In Volume II are two inserted views.
The portraits in the eight volumes of "The Spectator" (see BRITISH CLASSICS) were designed to illustrate the present work, in which are pages of references.