"He plucks the pearls that stud the deep, Admiring beauty's lap to fill; He breaks the stubborn marble's shape, And mocks his own Creator's skill."

Look at the artist, who toils day after day upon a painting which he has copied from Nature; he endeavors to paint the flowers with accuracy, give that exquisite emerald hue to the leaves of the trees, the same tints to the horizon, and that gorgeous light to the sun. Why? He saw beauty in Nature, and desired to imitate it. The sculptor works with all his skill upon the bust of some celebrated person, all his power is employed; he wishes to delineate every feature with accuracy, and determines, if possible, to accomplish it. Soon he has the gratification of seeing the soulless and once rugged block of marble transformed into an image of symmetry and beauty.

Godey's Lady's Book, Vol. 48, No. XVIII, April, 1854 — Part 89

Is there not great pleasure to be felt while beholding works of art? We can but admire and love the fruits of genius. It is very true that there are many who can look upon the works of art, still no effect will be produced; yet a person of nice perception and correct taste could gaze for hours upon them, and see each time something to admire. It is so in Nature even. Many might walk forth on a lovely morning when Spring first smiles, yet see no beauty whatever, but merely cast a careless eye upon all around. One may see much to admire in the storm-cloud which rises darkly o'er the sea, while streaks of lightning dive 'neath the briny waves, and the peals of thunder rattle furiously; we may have feelings of awe, yet, at the same time, see sublimity, and in our hearts we exclaim, "How beautiful!"

Godey's Lady's Book, Vol. 48, No. XVIII, April, 1854 — Part 89

Yes, beauty dwelleth everywhere; from the tiny flower which blooms, to the stupendous heavens at night lighted with innumerable stars, being the impress of the One who created all things.

Godey's Lady's Book, Vol. 48, No. XVIII, April, 1854 — Part 89

ORNAMENT, although not an integral part of dress, is so intimately connected with it that we must devote a few words to the subject.

Under the general term of ornament, we shall include bows of ribbon, artificial flowers, feathers, jewels, lace, fringes, and trimming of all kinds. Some of these articles appear to be suited to one period of life, some to another. Jewels, for instance, though suitable to middle age, seem misplaced on youth, which should always be characterized by simplicity of apparel; while flowers, which are so peculiarly adapted to youth, are unbecoming to those advanced in years: in the latter case, there is contrast without harmony--it is like uniting May with December.