"as to Coleridge, there is not much harm in him; for he is a whirl-brain, that talks whatever comes uppermost; but that Wordsworth! he is a dark traitor. You never hear _him_ say a syllable on the subject."

During this time the brother poets must have been composing or arranging the Lyrical Ballads, which were published the following year, i.e. 1798. Coleridge also in 1797 wrote the "Remorse," or rather the play he first called Osorio, the name of the principal character in it, but finding afterwards that there was a respectable family of that name residing in London, it was changed for the title of the Remorse, and the principal character, Osorio, to Ordonio. This play was sent to Sheridan.

The Life of Samuel Taylor Coleridge — Part 51

The following remarks were given in Coleridge's "Biographia Literaria," which wholly clears him from the suspicion of being concerned in making maps of a coast, where a smuggler could not land, and they shew what really was his employment; and how poets may be mistaken at all times for other than what they wish to be considered:

The Life of Samuel Taylor Coleridge — Part 51

"During the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry,--the power of exciting the sympathy of a reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset diffused over a known and familiar landscape, appeared to represent the practicability of combining both. These are the poetry of nature. The thought suggested itself (to which of us I do not recollect) that a series of poems might be composed of two sorts. In the one the incidents and agents were to be, in part at least, supernatural; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions as would naturally accompany such situations, supposing them real; and real in 'this' sense they have been to every human being who, from whatever source of delusion, has at any time believed himself under supernatural agency. For the second class, subjects were to be chosen from ordinary life: the characters and incidents were to be such as will be found in every village and its vicinity, where there is a meditative and feeling mind to seek after them, or to notice them when they present themselves.

The Life of Samuel Taylor Coleridge — Part 51