"I didn't mean to insult you," he said; "don't let us quarrel. When I'm in a temper I don't know what I say or do--that's the truth. I want to have you all for myself, have ever since the first moment I saw you over there at Grangersons."

"Don't," said Phyl. "I can't listen to you if you talk like that--Please don't."

The Ghost Girl — Part 111

The quick change that was one of his characteristics showed itself in his altered voice. His was a mind that seemed always in ambush, darting out on predatory expeditions and then vanishing back into obscurity.

The Ghost Girl — Part 111

They turned away from the sea front and began to retrace their steps, silently at first, and then little by little falling into ordinary conversation again as though nothing had happened.

The Ghost Girl — Part 111

Silas knew every corner of Charleston, and the history of every corner, and when he chose he could make his knowledge interesting. In this mood he was a pleasant companion, and Phyl, her recent experience almost forgotten, let herself be led and instructed, not knowing that this armistice was the equivalent of a defeat.

She had already drawn much closer to him in mind, this companionship and quiet conversation was a more sure and deadly thing than any kisses or wild words. It would linger in her mind warm and quietly. Put in a woman's mind a pleasant recollection of yourself and you have established a force whose activity may seem small, but is in reality great, because of its permanency.

They did not take a direct line in the direction of Vernons, and so presently found themselves in front of St. Michael's. The gate of the cemetery was open and they wandered in.

The place was deserted, save by the birds, and the air perfumed by all manner of Southern growing things. Sun, shadow, silence, and that strange peace which hangs over the homes of the dead, all were here, ringed in by the old walls and the faint murmur of the living city beyond.

They walked along the paths, looking at the tombstones, and pausing to read the inscriptions, Phyl gradually entering into that state of mind wherein reality and material things fall out of perspective. The fragrant elusive poetry of death, which can speak in the songs of birds and the scent of flowers in the sunshine and the shade of trees more clearly than in the voice of man, was speaking to her now.