But while he belied Arthur’s description, and appeared a gentle lamb rather than a wild man, he was racking his brains for a course of action. He was no gentle lamb, and the part of second fiddle would never do for the high-pitched dominance of his nature. He talked only when he had to, and then his speech was like his walk to the table, filled with jerks and halts as he groped in his polyglot vocabulary for words, debating over words he knew were fit but which he feared he could not pronounce, rejecting other words he knew would not be understood or would be raw and harsh. But all the time he was oppressed by the consciousness that this carefulness of diction was making a booby of him, preventing him from expressing what he had in him. Also, his love of freedom chafed against the restriction in much the same way his neck chafed against the starched fetter of a collar. Besides, he was confident that he could not keep it up. He was by nature powerful of thought and sensibility, and the creative spirit was restive and urgent. He was swiftly mastered by the concept or sensation in him that struggled in birth-throes to receive expression and form, and then he forgot himself and where he was, and the old words—the tools of speech he knew—slipped out.
Once, he declined something from the servant who interrupted and pestered at his shoulder, and he said, shortly and emphatically, “Pow!”
On the instant those at the table were keyed up and expectant, the servant was smugly pleased, and he was wallowing in mortification. But he recovered himself quickly.
“It’s the Kanaka for ‘finish,’” he explained, “and it just come out naturally. It’s spelt p-a-u.”
He caught her curious and speculative eyes fixed on his hands, and, being in explanatory mood, he said:-
“I just come down the Coast on one of the Pacific mail steamers. She was behind time, an’ around the Puget Sound ports we worked like niggers, storing cargo—mixed freight, if you know what that means. That’s how the skin got knocked off.”
“Oh, it wasn’t that,” she hastened to explain, in turn. “Your hands seemed too small for your body.”
His cheeks were hot. He took it as an exposure of another of his deficiencies.
“Yes,” he said depreciatingly. “They ain’t big enough to stand the strain. I can hit like a mule with my arms and shoulders. They are too strong, an’ when I smash a man on the jaw the hands get smashed, too.”