Though the author must especially desire to render his creation a work of art, it is also requisite to strive for fidelity. As the heroine's portrait must reveal her true character, so the life represented here must correspond in every line with the civilization of the period described. For this purpose we placed Cleopatra in the centre of a larger group of people, whom she influences, and who enable her personality to be displayed in the various relations of life.
Should the author succeed in making the picture of the remarkable woman, who was so differently judged, as "lifelike" and vivid as it stamped itself upon his own imagination, he might remember with pleasure the hours which he devoted to this book.
Tützing on the Starnberger See, _October 5, 1893_.
Gorgias, the architect, had learned to bear the scorching sunbeams of the Egyptian noonday. Though not yet thirty, he had directed--first as his late father's assistant and afterwards as his successor--the construction of the huge buildings erected by Cleopatra in Alexandria.
Now he was overwhelmed with commissions; yet he had come hither ere the hours of work were over, merely to oblige a youth who had barely passed the confines of boyhood.
True, the person for whom he made this sacrifice was Cæsarion, the son whom Cleopatra had given to Julius Cæsar. Antony had honoured him with the proud title of "King of kings"; yet he was permitted neither to rule nor even to issue orders, for his mother kept him aloof from affairs of state, and he himself had no desire to hold the sceptre.
Gorgias had granted his wish the more readily, because it was apparent that he wanted to speak to him in private, though he had not the least idea what Cæsarion desired to confide, and, under any circumstances, he could give him only a brief interview. The fleet, at whose head the Queen had set sail, with Mark Antony, for Greece, must have already met Octavianus's galleys, and doubtless a battle wherein the destiny of the world was decided had also been fought upon the land, Gorgias believed that the victory would fall to Antony and the Queen, and wished the noble pair success with his whole heart. He was even obliged to act as if the battle had been already determined in their favour, for the architectural preparations for the reception of the conquerors were entrusted to his charge, and that very day must witness the decision of the location of the colossal statues which represented Antony hand in hand with his royal love.