“Children! children!” (Mr. Butler, for all his commercial and political responsibility, was as much a child to her as any.) “Youse mustn’t quarrel now. Come now. Give your father the tomatoes.”
There was an Irish maid serving at table; but plates were passed from one to the other just the same. A heavily ornamented chandelier, holding sixteen imitation candles in white porcelain, hung low over the table and was brightly lighted, another offense to Aileen.
“Mama, how often have I told you not to say ‘youse’?” pleaded Norah, very much disheartened by her mother’s grammatical errors. “You know you said you wouldn’t.”
“And who’s to tell your mother what she should say?” called Butler, more incensed than ever at this sudden and unwarranted rebellion and assault. “Your mother talked before ever you was born, I’d have you know. If it weren’t for her workin’ and slavin’ you wouldn’t have any fine manners to be paradin’ before her. I’d have you know that. She’s a better woman nor any you’ll be runnin’ with this day, you little baggage, you!”
“Mama, do you hear what he’s calling me?” complained Norah, hugging close to her mother’s arm and pretending fear and dissatisfaction.
“Eddie! Eddie!” cautioned Mrs. Butler, pleading with her husband. “You know he don’t mean that, Norah, dear. Don’t you know he don’t?”
She was stroking her baby’s head. The reference to her grammar had not touched her at all.
Butler was sorry that he had called his youngest a baggage; but these children—God bless his soul—were a great annoyance. Why, in the name of all the saints, wasn’t this house good enough for them?
“Why don’t you people quit fussing at the table?” observed Callum, a likely youth, with black hair laid smoothly over his forehead in a long, distinguished layer reaching from his left to close to his right ear, and his upper lip carrying a short, crisp mustache. His nose was short and retrousse, and his ears were rather prominent; but he was bright and attractive. He and Owen both realized that the house was old and poorly arranged; but their father and mother liked it, and business sense and family peace dictated silence on this score.
“Well, I think it’s mean to have to live in this old place when people not one-fourth as good as we are are living in better ones. The Cowperwoods—why, even the Cowperwoods—”