In some instances the wig appears much out of place, and a notable example is that given in the portrait by Kneller, of George, Earl of Albemarle. He is dressed in armour, and wearing a long flowing wig. Anything more absurd could scarcely be conceived.
The beau of the period when the wig was popular carried in his pocket beautifully made combs, and in his box at the play, or in other places, combed his periwig, and rendered himself irresistible to the ladies. Making love seems to have been the chief aim of his life. Sir John Hawkins, in his "History of Music," published in 1776, has an informing note on combing customs. "On the Mall and in the theatre," he tells us, "gentlemen conversed and combed their perukes. There is now in being a fine picture by the elder Laroon of John, Duke of Marlborough, at his levée, in which his Grace is represented dressed in a scarlet suit, with large white satin cuffs, and a very long white peruke which he combs, while his valet, who stands behind him, adjusts the curls after the comb has passed through them." Allusions to this practice may be found in the plays from the reign of Charles II. down to the days of Queen Anne. We read in Dryden's prologue to "Almanzor and Almahide":--
"But as when vizard mask appears in pit, Straight every man who thinks himself a wit Perks up, and, managing a comb with grace, With his white wig sets off his nut-brown face."
Says Congreve, in the "Way of the World":--
"The gentlemen stay but to comb, madam, and will wait on you."
[Illustration: Man with Wig and Muff, 1693 (_from a print of the period_).]
Thomas Brown, in his "Letters from the Dead to the Living," presents a pen-portrait of beaux as they appeared at the commencement of the eighteenth century. Some of the passages are well worth reproducing, as they contain valuable information concerning wigs. "We met," says the writer, "three flaming beaux of the first magnitude. He in the middle made a most magnificent figure--his periwig was large enough to have loaded a camel, and he bestowed upon it at least a bushel of powder, I warrant you. His sword-knot dangled upon the ground, and his steinkirk, that was most agreeably discoloured with snuff from the top to the bottom, reach'd down to his waist; he carry'd his hat under his left arm, walk'd with both hands in the waistband of his breeches, and his cane, that hung negligently down in a string from his right arm, trail'd most harmoniously against the pebbles, while the master of it was tripping it nicely upon his toes or humming to himself." About this period in cold weather men wore muffs as well as wigs. A ballad, describing the frost fair on the Thames in the winter of 1683-84, mentions amongst those present:--