Ashley (11) has endeavoured to measure the plasticity of clays by determining their adsorption capacity for various aniline dyes, but his untimely decease prevented the investigation being completed. There is reason to suppose that the relation between adsorption and plasticity is extremely close in many clays and that the former may, to an important extent, be used as a measure of the latter. In some clays, however, this relationship does not exist.

Sand and burned clay only show faint adsorption phenomena; felspar shows them to a slight and almost negligible extent and most of the other non-plastic ingredients of clays are non-adsorptive.

The Natural History of Clay — Part 23

Selective adsorption being an important characteristic of colloidal substances, the possession of this power by plastic clays supports the claim that plasticity is due, at least in part, to the presence of colloids.

The Natural History of Clay — Part 23

The addition of small quantities of a solution of certain substances to a stiff clay paste usually reduces its stiffness, and in some cases turns it into a liquid. The alkalies are particularly powerful in this respect and their action may be strikingly illustrated by mixing a few drops of caustic soda with a stiff clay paste. In a few moments the mixture will be sufficiently liquid to pour readily, but it may be rendered quite stiff again by adding sufficient acid to neutralize the alkali previously used. Weber (12) has utilized this characteristic to great advantage in the production of sanitary ware and crucibles for glass-making by a process of casting which he has patented.

The Natural History of Clay — Part 23

The effect of adding water to a dry clay is curious. At first the particles in contact with the water become sticky and plastic, and if the proportion of water added is suitable and the mixing is sufficiently thorough a plastic mass will be produced, the characteristics of which will depend on the nature of the clay used. This process of mixing clay with a limited amount of water is known as 'tempering.' The proportion of water required to make a paste of suitable consistency for modelling appears to be constant for each clay. If, however, a larger proportion of water is added the particles of clay will be separated so widely from each other that they lose their cohesion, and instead of a plastic mass, the material will form a liquid of cream-like consistency. If a piece of stiff clay paste is suspended in a large volume of water without stirring, disintegration will still occur (though a much longer time will be required) and the clay will be deposited as a sediment at the bottom of the vessel. The leaner the clay or the larger the proportion of non-plastic material it contains, the more rapidly will this disintegration take place. A highly plastic clay will become almost impervious and will retain its shape indefinitely.