One night she sat late, making her aunt a cap. The one sign of originality in her was the character of her millinery, of which kind of creation she was fond, displaying therein both invention as to form, and perception as to effect, combined with lightness and deftness of execution. She was desirous of completing it before the next morning, which was that of her aunt's birthday. They had had friends to dine with them who had stayed rather late, and it was now getting towards one o'clock. But Helen was not easily tired, and was not given to abandoning what she had undertaken; so she sat working away, and thinking, not of George Bascombe, but of one whom she loved better--far better--her brother Leopold. But she was thinking of him not quite so comfortably as usual. Certain anxieties she had ground for concerning him had grown stronger, for the time since she heard from him had grown very long.

All at once her work ceased, her hands were arrested, her posture grew rigid: she was listening. HAD she heard a noise outside her window? My reader may remember that it opened on a balcony, which was at the same time the roof of a veranda that went along the back of the house, and had a stair at one end to the garden.

Thomas Wingfold, Curate V1 — Part 63

Helen was not easily frightened, and had stopped her needle only that she might listen the better. She heard nothing. Of course it was but a fancy! Her hands went on again with their work.--But that was really very like a tap at the window! And now her heart did beat a little faster, if not with fear, then with something very like it, in which perhaps some foreboding was mingled. But she was not a woman to lay down her arms upon the inroad of a vague terror. She quietly rose, and, saying to herself it must be one of the pigeons that haunted the balcony, laid her work on the table, and went to the window. As she drew one of the curtains a little aside to peep, the tap was plainly and hurriedly though softly repeated, and at once she swept it back. There was the dim shadow of a man's head upon the blind, cast there by an old withered moon low in the west! Perhaps it was something in the shape of the shadow that made her pull up the blind so hurriedly, and yet with something of the awe with which we take "the face-cloth from the face." Yes, there was a face!--frightful, not as that of a corpse, but as that of a spectre from whose soul the scars of his mortal end have never passed away. Helen did not scream--her throat seemed to close and her heart to cease. But her eyes continued movelessly fixed on the face even after she knew it was the face of her brother, and the eyes of the face kept staring back into hers through the glass with such a look of concentrated eagerness that they seemed no more organs of vision, but caves of hunger, nor was there a movement of the lips towards speech. The two gazed at each other for a moment of rigid silence. The glass that separated them might have been the veil that divides those who call themselves the living from those whom they call the dead.

Thomas Wingfold, Curate V1 — Part 63