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INGRES OEDIPUS AND THE SPHINX LOUVRE, PARIS]
INGRES PORTRAIT OF MADAME DE SENONNES MUSEUM, NANTES
INGRES MONSIEUR LEBLANC (DRAWING) BONNAT COLLECTION, BAYONNE
INGRES MADAME DESTOUCHE (DRAWING) LOUVRE, PARIS
INGRES THE STAMATY FAMILY (DRAWING) BONNAT COLLECTION, BAYONNE]
INGRES PORTRAIT OF MONSIEUR BERTIN LOUVRE, PARIS
INGRES THE VOW OF LOUIS XIII CATHEDRAL, MONTAUBAN
INGRES PORTRAIT OF MADAME DEVAUÇAY CONDÉ MUSEUM, CHANTILLY
INGRES THE APOTHEOSIS OF HOMER LOUVRE, PARIS
PORTRAIT OF INGRES BY HIMSELF UFFIZI GALLERY, FLORENCE
This portrait was painted when Ingres was seventy-five. He has been described at that time as strong and vigorous, short of stature, thick-set, and ill-proportioned. His complexion was sallow, his cheek-bones prominent, his eyes dark and keen, his eyebrows slight and contracted in a frown, his nose seemingly short because of the great length of his upper lip. His hair was short and stiff, and worn parted like a woman's. His appearance, it was said, suggested a retired man of business, or a curate in citizen's clothes, rather than an artist with whom the love of beauty amounted to a passion.]
Jean-Auguste-Dominique Ingres (pronounced Ang´gr) was born at Montauban in the south of France, on August 29, 1780. His father, Jean-Marie-Joseph Ingres, was by profession a house-decorator, with talents so versatile that he was also to some extent painter, sculptor, architect, and musician as well. It was he who gave the first instruction in drawing and in music to his son, who, from the outset, showed so much ability in both that it was a question which should be adopted as his life-work.