One feature of the furnishing of old inns which adds not a little to the picturesqueness of the interiors is the high-backed settle, with wings or arms. This is universal all over England. It varies considerably in different localities, for the local handicraftsman has worked according to tradition, and he has also in most cases made the settle for a particular place and to serve a special purpose. Of course, the original reason for its design was to keep out draughts from the constantly opening door, and this purpose is still strong enough to make the settle a very convenient, not to say necessary, fixture in most inns, in spite of all sorts of modern draught-excluding devices. It scarcely seems likely that the high-backed settle will ever be entirely superseded. It is not particularly comfortable according to present-day ideas of comfort in seats, which seem to revolve round upholstery. But it is very clean. It will not harbour dust, and if well made it will stand the assaults of time for centuries. The old Elizabethan and Jacobean settles were extremely heavy. It was evident in those days that sturdiness was inseparable from strength, and considering the possible rough usage to which seats in the inn might well on occasion be put, the heavy timbers of which they were constructed seem to have been well advised. They very often had fine carving, and were constructed with the seat forming a lid to the boxed-in lower part. It was in the eighteenth century that settles became of little account, and they were then plainly made by carpenters simply to serve a useful purpose. There is a good example of a carved settle in the _Union Inn_, Flyford Flavel, Worcestershire; and in many an old inn in Berkshire, a county which has retained its ancient character perhaps more than any other, are heavy old oak settles guarding the warm fireside. In the tap-room of the _Green Dragon_, Combe St. Nicholas, near Chard, is a settle finely carved of fifteenth-century origin. Judging by its character it must at one time have been in some ecclesiastical building. The _Green Dragon_ was monastic. The settle after a time developed into the fixed partition, its back stretched up to the ceiling, and a door was placed at the end, the partition being continued beyond to the opposite wall. Considerations of light sometimes prevented this being carried out entirely but a modern compromise was effected by glazing the screen above the high settle back and putting glass panels in the door. The development of the ingle-nook came about through chimney-corner and settle being combined in one feature.