But after one has died as a maker one may still live as a critic, and I will confess I am all for laxness and variety in this as in every field of art. Insistence upon rigid forms and austere unities seems to me the instinctive reaction of the sterile against the fecund. It is the tired man with a headache who values a work of art for what it does not contain. I suppose it is the lot of every critic nowadays to suffer from indigestion and a fatigued appreciation, and to develop a self-protective tendency towards rules that will reject, as it were, automatically the more abundant and irregular forms. But this world is not for the weary, and in the long-run it is the new and variant that matter. I refuse altogether to recognise any hard and fast type for the Short Story, any more than I admit any limitation upon the liberties of the Small Picture. The short story is a fiction that may be read in something under an hour, and so that it is moving and delightful, it does not matter whether it is as "trivial" as a Japanese print of insects seen closely between grass stems, or as spacious as the prospect of the plain of Italy from Monte Mottarone. It does not matter whether it is human or inhuman, or whether it leaves you thinking deeply or radiantly but superficially pleased. Some things are more easily done as short stories than others and more abundantly done, but one of the many pleasures of short-story writing is to achieve the impossible.
At any rate, that is the present writer's conception of the art of the short story, as the jolly art of making something very bright and moving; it may be horrible or pathetic or funny or beautiful or profoundly illuminating, having only this essential, that it should take from fifteen to fifty minutes to read aloud. All the rest is just whatever invention and imagination and the mood can give--a vision of buttered slides on a busy day or of unprecedented worlds. In that spirit of miscellaneous expectation these stories should be received. Each is intended to be a thing by itself; and if it is not too ungrateful to kindly and enterprising publishers, I would confess I would much prefer to see each printed expensively alone, and left in a little brown-paper cover to lie about a room against the needs of a quite casual curiosity. And I would rather this volume were found in the bedrooms of convalescents and in dentists' parlours and railway trains than in gentlemen's studies. I would rather have it dipped in and dipped in again than read severely through. Essentially it is a miscellany of inventions, many of which were very pleasant to write; and its end is more than attained if some of them are refreshing and agreeable to read. I have now re-read them all, and I am glad to think I wrote them. I like them, but I cannot tell how much the associations of old happinesses gives them a flavour for me. I make no claims for them and no apology; they will be read as long as people read them. Things written either live or die; unless it be for a place of judgment upon Academic impostors, there is no apologetic intermediate state.