'The King was so much pleased with this compliment that he eagerly pronounced that sentence which afterwards became a common proverb, "The Phrygian has hit the mark." Soon after this happened, Solon took his leave of Crœsus, and was dismissed very coolly. Æsop, on his departure, accompanied him part of his journey, and as they were on the road took an opportunity of saying to him, "Oh, Solon, either we must not speak to kings, or we must say what will please them." "On the contrary," replied Solon, "we should either not speak to kings at all, or we should give them good and useful advice." So great was the steadiness of the chief of the sages, and such the courtliness of Æsop.'[28]

It will be noticed that this reply of Æsop to the question of the King was evasive, though the vanity of the latter probably prevented his remarking it. He does not declare the King to be the happiest man, but leaves it to be inferred that, assuming happiness to be attained by men during life (which Solon denied), then was Crœsus pre-eminent over all others in that respect. It must be admitted that the answer does not display the character of Æsop in the best light as a moralist, however much it may exalt his reputation as a courtier. There probably was a good deal of the fox in his nature, and this, not less than his wisdom, enabled him to maintain his position at the Court of this vain and wealthy potentate.

Fables and Fabulists: Ancient and Modern — Part 23

[28] Quoted from the 'Life of Æsop' in the introduction to Dodsley's 'Select Fables.'

Fables and Fabulists: Ancient and Modern — Part 23

It has been asserted that this same Æsop, if not a mythical personage, is at least credited with much more than is his due, and that it is only around his name that have clustered the various fables attributed to him, like rich juicy grapes round their central stalk, or, to use a more appropriate image, like swarming bees round a pendent branch. Others have endeavoured, with less or more feasibility, to prove that most of what are called Æsopian fables had their origin in the far East--'The inquisitive amongst the Greeks,' say they, 'travelled into the East to ripen their own imperfect conceptions, and on their return taught them at home, with the mixture of fables and ornaments of fancy'[29]--that the ideas first propounded in India and Arabia were thus carried westward; that Æsop appropriated them and gave them forth in a modified form and in a new dress. Scholars and investigators differ in their views regarding the truth, or the extent of the truth, of these allegations, and display much erudition in their attempts to settle the question. It would appear that Æsop has indubitably the credit of certain fables of which he was not the inventor, as they were in vogue at a period anterior to the era in which he flourished. It is equally proved, on the other hand, that genuine Æsopian or Grecian fables have been attributed to Eastern sources, and are found included in collections of Eastern fables compiled in the earlier years of the Christian era. All this is only what might be expected, and does not affect to any serious extent the credit for ingenuity and originality of either Æsop or other early fabulists. Doubtless Æsop did get some of the subjects of his fables from foreign sources, but he melted them in the crucible of his mind--he distilled their very essence, and handed us the precious concentrated spirit. If he had done nothing more, that was good.

Fables and Fabulists: Ancient and Modern — Part 23