The divisions in the arts are almost all in the first instance technical, and the great schools of drama have been divided from one another by the form or the metal of their mirror, by the check chosen for the rapidity of dialogue. Synge found the check that suited his temperament in an elaboration of the dialects of Kerry and Aran. The cadence is long and meditative, as befits the thought of men who are much alone, and who when they meet in one another's houses--as their way is at the day's end--listen patiently, each man speaking in turn and for some little time, and taking pleasure in the vaguer meaning of the words and in their sound. Their thought, when not merely practical, is as full of traditional wisdom and extravagant pictures as that of some Æschylean chorus, and no matter what the topic is, it is as though the present were held at arm's length. It is the reverse of rhetoric, for the speaker serves his own delight, though doubtless he would tell you that like Raftery's whiskey-drinking it was but for the company's sake. A medicinal manner of speech too, for it could not even express, so little abstract it is and so rammed with life, those worn generalisations of national propaganda. 'I'll be telling you the finest story you'd hear any place from Dundalk to Ballinacree with great queens in it, making themselves matches from the start to the end, and they with shiny silks on them.... I've a grand story of the great queens of Ireland, with white necks on them the like of Sarah Casey, and fine arms would hit you a slap.... What good am I this night, God help me? What good are the grand stories I have when it's few would listen to an old woman, few but a girl maybe would be in great fear the time her hour was come, or little child wouldn't be sleeping with the hunger on a cold night.' That has the flavour of Homer, of the Bible, of Villon, while Cervantes would have thought it sweet in the mouth though not his food. This use of Irish dialect for noble purpose by Synge, and by Lady Gregory, who had it already in her _Cuchulain of Muirthemne_, and by Dr. Hyde in those first translations he has not equalled since, has done much for National dignity. When I was a boy I was often troubled and sorrowful because Scottish dialect was capable of noble use, but the Irish of obvious roystering humour only; and this error fixed on my imagination by so many novelists and rhymers made me listen badly. Synge wrote down words and phrases wherever he went, and with that knowledge of Irish which made all our country idioms easy to his hand, found it so rich a thing, that he had begun translating into it fragments of the great literatures of the world, and had planned a complete version of _The Imitation of Christ_. It gave him imaginative richness and yet left to him the sting and tang of reality. How vivid in his translation from Villon are those 'eyes with a big gay look out of them would bring folly from a great scholar.' More vivid surely than anything in Swinburne's version, and how noble those words which are yet simple country speech, in which his Petrarch mourns that death came upon Laura just as time was making chastity easy, and the day come when 'lovers may sit together and say out all things are in their hearts,' and 'my sweet enemy was making a start, little by little, to give over her great wariness, the way she was wringing a sweet thing out of my sharp sorrow.'