"It's a bad time," Curran ventured, as she took a manuscript from a desk. "But you know how to manage such things, you are so clever," he hastened to add, catching a fiery glance from her eye. "Only you must go with caution."
"It's a fine play," she said, turning the pages of the manuscript. "Dick, you are little short of a genius. If I had not liked the real play so well, playing to the big world this rôle of escaped nun, I would have taken it up long ago. The little stage of the theater is nothing to the grand stage of the world, where a whole nation applauds; and men like the Bishop take it for the real thing, this impersonation of mine. But since I am shut out ... and my curse on this Arthur Dillon ... no, no, I take that back ... he's a fine fellow, working according to his nature ... since he will shut me out I must take to the imitation stage. Ah, but the part is fine! First act: the convent garden, the novice reading her love in the flowers, the hateful old mother superior choking her to get her lover's note from her, the reading of the note, and the dragging of the novice to her prison cell, down in the depths of the earth. How that will draw the tears from the old maids of Methodism all over the country!"
"Second act: the dungeon, the tortures, old superior again, and the hateful hag who is in love with the hero and would like to wreak her jealousy on me, poor thing, all tears and determination. I loathe the two women. I denounce the creed which invents such tortures. I lie down to die in the dungeon while the music moans and the deacons and their families in the audience groan. Don't you think, Dicky dear, I can do the dying act to perfection?"
"You're a wretch," she shrieked with sudden rage. "You hint at the night I took a colic and howled for the priest, when you know it was only the whisky and the delirium. How dare you!"
"The third act is simply beautiful: chapel of the convent, a fat priest at the altar, all the nuns gathered about to hear the charges against me, I am brought in bound, pale, starved, but determined; the trial, the sentence, the curse ... oh, that scene is sublime, I can see Booth in it ... pity we can't have him ... then the inrush of my lover, the terror, the shrieks, the confusion, as I am carried off the stage with the curtain going down. At last the serene fourth act: another garden, the villains all punished, my lover's arms about me, and we two reading the flowers as the curtain descends. Well," with a sigh of pleasure, "if that doesn't take among the Methodists and the general public out West and down South, what will?"