B-176. Village Fête. (18½X28½.) _David Teniers the Younger._
B-177. Village Fête. (17½X20.) _David Teniers the Younger._
A picture similar in subject but inferior in treatment to the preceding; probably executed in old age.
[Illustration: B-182. WILLIAM, PRINCE OF ORANGE, (WILLIAM III.)
B-178. Boors Regaling, and playing at Skittles. (11X14½.) _David Teniers the Younger._
B-179. Charles V. leaving the town of Dort. (23X39.) _David Teniers the Younger._
The Emperor, in full armor, is about to descend the steps of a large building. The Archbishop gives him his blessing. Persons of dignity, in church and state, are grouped on all sides. In the background is the ship in which the Emperor is about to embark. This composition is filled with portraits; among which, in the figure bearing the standard on the extreme right, we recognize that of the Painter himself. Collection D'Espinoy.
B-180. Parable of the Laborer who received a Penny. (22X17.) _David Teniers the Younger._
In which is introduced the portrait of RUBENS in his medal chain, also the portraits of REMBRANDT and other artists and two children of TENIERS. From the collection of Louis Philippe.
B-181. Landscape and Figures. (9½X13½.) _David Teniers the Younger._
A wonderful effect, and familiarly styled by painters as the "après déjeuner" manner. Bought in New York city.
B-182. Portrait of William, Prince of Orange, (William III.) (30½X23.) _Gerard Terburg._
This was supposed to be the portrait cited by Descamp as the one which William insisted that the artist should paint; he being a burgomaster devoted to the Prince's cause. It is signed "G. TERBORCH," the only genuine signature of the Master.
B-183. Marine View. (25X29.) _William van de Velde._
B-184. Marine View. (12½X14.) _William van de Velde._
B-185. Marine View. (9½X12½.) _William van de Velde._
B-186. Landscape, with Animals. (9X11½.) _Adrian van de Velde._
This picture, though small, gives a just idea of the power of the Master, from whose pencil the donor has never seen a feeble work; though ADRIAN may have adorned with his figures the compositions of inferior masters. This picture, together with the small landscape by RUBENS (No. B-162), is from an old chateau in Normandy.