Calef says, that, "when she took her last farewell of her husband, children, and friends," she "was, as is reported by them present, as serious, religious, distinct, and affectionate as could well be expressed, drawing tears from the eyes of almost all present." We can readily credit that account to its fullest possible import; for her deportment and language, throughout all the scenes in which she is presented, bespeak a strong, clear, discriminating intellect, a true and brave heart, elevated and generous sentiments, firm faith in God, and broad charity toward man. A most welcome child found entrance to some bright home above when her tried spirit gained release from its mortal form.

The person bearing the above name was a widow residing in Amesbury, who had been tried for witchcraft more than twenty years before, and therefore obviously in 1692 was well along in life. Her answers in court, however, bespeak a prompt, self-possessed, shrewd, and seemingly merry prisoner. A few of her replies, together with the questions which elicited them, are as follows:--

Witchcraft of New England Explained by Modern Spiritualism — Part 207

"Ann Putnam threw her glove at her in a fit. 'What do you laugh at?' said the court. _Ans._ 'Well I may at such folly.'

Witchcraft of New England Explained by Modern Spiritualism — Part 207

"'Is this folly to see these so hurt?' 'I never hurt man, woman, or child.'

Witchcraft of New England Explained by Modern Spiritualism — Part 207

"'What do you think ails them?' 'I do not desire to spend my judgment upon it.' 'Do you think they are bewitched?' 'No; I do not think they are.' 'Well, tell us your thoughts about them.' 'My thoughts are mine own when they are in; but when they are out they are another's.' 'Who do you think is their master?' 'If they be dealing in the black art, you may know as well as I.' 'How comes your appearance just now to hurt these?' 'How do I know?' 'Are you not willing to tell the truth?' 'He that appeared in Samuel's shape can appear in any one's shape.'"