The Settlers were an English folk-orientated music group, originally from the English West Midlands, who formed in the mid-1960s. The band folded in the early 1980s, relaunched in 2018, and disbanded again in 2021.
Formation and genre
The group started as a trio, but almost immediately expanded by adding a bassist to their line-up. The original members were: Cynthia "Cindy" Kent (vocals and tambourine), born 7 August 1945, Oldbury, Worcestershire; Mike Jones (vocals and guitar), born Michael Edwin Jones, 16 September 1943, Burton-on-Trent, Staffordshire, died 11 May 2008, Exeter, Devon; John Fyffe (banjo), born 3 July 1943, Uddingston, South Lanarkshire, Scotland; Mansel Davies (double bass), born 22 March 1942, South Wales.
The Settlers were initially known as the Birmingham Folk Four, but became known as the Settlers after the relative success of their first single, "Settle Down". A six-month residency on a BBC television series, Singalong, led to support bookings on tours with, among others, Dusty Springfield, Roy Orbison and the Small Faces. The Settlers have generally been referred to as a folk group. However, like the Seekers, the successful Australian group with which they shared marked similarities, some of their material gravitated towards mainstream pop which, taking its cue from American singer-songwriters Bob Dylan and Joan Baez and such groups as Peter, Paul and Mary, We Five, and The Byrds, readily absorbed folk influences in various ways in the mid-1960s. The Settlers’ melodic style was largely settled before the advent of British folk-rock in the guise of Fairport Convention and Pentangle later in the sixties.
In 1969, the band appeared with Cliff Richard, Una Stubbs, and William Hartnell amongst others in a six-part religious themed drama serial on ITV. The series, produced by Tyne Tees TV, was not networked and thus reached a limited audience. Only three of the six episodes have survived.
Early musical output
The Settlers' first single, "Sassafras"/"Settle Down", was released in 1964. They became quite well known nationally, assisted by frequent appearances on television and, until 1967, regular exposure on offshore pirate radio stations. In particular, their recording of John Lennon and Paul McCartney's "Nowhere Man" (1965) was, together with the Overlanders' 1966 UK No.1 hit, "Michelle", and the Truth's version of "Girl", among the best known covers of songs from the Beatles' album Rubber Soul (1965). However, although "Nowhere Man" reached a high of No.5 in Radio London's non-sales-based Fab 40 in March 1966 and the group's spirited version of Gordon Lightfoot's "Early Morning Rain" received a good deal of airplay in May 1966, the Settlers did not succeed in enjoying a Top 40 hit during the 1960s. Their most successful record, "The Lightning Tree" (helped along due to its use as the theme tune of the British TV series Follyfoot), reached No. 36 in the UK Singles Chart in 1971.
Like the Seekers, the group also included a double bassist. The original bassist, Mansel Davies, left in 1965 to pursue a career in teaching and was replaced by Geoff Srdzinski (born Geoffrey Srodzinski, 10 June 1946, Plymouth, Devon), who shared accommodation in Hampstead, London, with Tony Hooper of Strawbs. Hooper's song "Always on My Mind" was released as a single by the Settlers early in 1967.
Cindy Kent (like Judith Durham of the Seekers) attracted her own share of attention as the most recognizable face of the Settlers. Originally known for her fine singing voice, photogenic good looks, and tendency to wear mini-skirts, later her public espousal of Christianity became the media focus, particularly when it brought her into contact with the singer Cliff Richard, a prominent born again Christian, and they jointly contributed to various events with a Christian theme.
Shortly after recording a religious album, I Am Your Servant, in 1973, Kent left the group and later released a solo single, "I Only Want To Be In The World", on the Beeb label in 1975 before moving into radio broadcasting.
Later musical output
After the departure of Cindy Kent, the line up transitioned from acoustic four-part pop folk harmony, to a more contemporary five-piece electric sound with Mike Jones (guitar/banjo/vocals), Andie Sheridan (Kent's replacement as female vocals), Paul Greedus (guitar/vocals), Chris Johnstone (bass/vocals), and George Jeffrey on drums. In 1974 this line up recorded an album for York Records, entitled The New Sound of the Settlers.