Some combatants are intent on grim business. These are the professional jousters, determined to get as many ransoms as possible and to maintain their own proud reputation. Their armor is beautifully burnished; but it is quite plain. They have prepared for a regular battle. Other knights have painted their scabbards, lance butts, and shields with brilliant white, red, or black. On the crests of their helmets they have set outlandish figures--monsters, heads of birds, or of women. As in fancy balls of other days, their aim is to attract attention by the peculiarity of their costumes. Conon does not desire a bloody tourney and the funeral of several friendly knights as a climax to his gayety. Orders have therefore been given that all lance points are to be blunted, also that all sword edges and points be rounded. The tournament lances, too, are lighter than the battle lances and made of brittle wood.[66] Nevertheless, the blows struck will be terrible. The best leach from Pontdebois is already in the duke's lodge, and his services will be needed.

Strictly speaking, a tourney falls into two parts--the jousting always comes first, with the mêlée, which is the real tourney proper, as the grand climax to the entire occasion.

Life on a Mediaeval Barony — Part 136

What follows might seem to men of other days somewhat monotonous after the novelty has worn away, although the first contests are exciting enough. The competing knights have been told off in pairs, partly by mutual consent, partly by the tactful arrangement of the camp marshals. After the procession around the lists, the contestants take their stations, some in the saddle, some dismounted in the spaces between the barriers. There is an awesome hush along the lodges and in the great standing throng of the vulgar. A herald calls in loud voice, "Let him come to joust who wishes to do battle!" Instantly two keen trumpets answer each other from opposite ends of the lists, and two pursuivants come forward. These worthies are really only jongleurs on less exciting days. They have now taken the deniers of two young barons who are anxious to make a brave appearance. The pursuivants are grotesquely dressed with bright parti-colored mantles and bliauts. Each begins bawling shrilly even while his rival is calling: "Here is the good cavalier and baron, Ferri of St. Potentin. A brave knight of a valorous house. He will teach a lesson to his enemies!" "Here is the good cavalier, Raoul, eldest son of the most puissant Count of Maurevay. Watch now his deeds, all you who love brave actions!"

Life on a Mediaeval Barony — Part 136