“Fools!” No, my dear sir. I was going to say elderly cherubim. But making fools of ourselves was better than making owls, as we had been doing.
From “Company Manners,” _Household Words_, 1854
I have said nothing of books. Yet I am sure that, if Madame de Sablé lived now, they would be seen in her salon as part of its natural indispensable furniture; not brought out, and strewed here and there when “company was coming,” but as habitual presences in her room, wanting which, she would want a sense of warmth and comfort and companionship. Putting out books as a sort of preparation for an evening, as a means for making it pass agreeably, is running a great risk. In the first place, books are by such people, and on such occasions, chosen more for their outside than their inside. And in the next, they are the “mere material with which wisdom (or wit) builds”; and if persons don’t know how to use the material, they will suggest nothing. I imagine Madame de Sablé would have the volumes she herself was reading, or those which, being new, contained any matter of present interest, left about, as they would naturally be. I could also fancy that her guests would not feel bound to talk continually, whether they had anything to say or not, but that there might be pauses of not unpleasant silence—a quiet darkness out of which they might be certain that the little stars would glimmer soon. I can believe that in such pauses of repose, some one might open a book, and catch on a suggestive sentence, might dash off again into a full flow of conversation. But I cannot fancy any grand preparations for what was to be said among people, each of whom brought the best dish in bringing himself; and whose own store of living, individual thought and feeling, and mother-wit, would be indefinitely better than any cut-and-dry determination to devote the evening to mutual improvement. If people are really good and wise, their goodness and their wisdom flow out unconsciously, and benefit like sunlight. So, books for reference, books for impromptu suggestion, but never books to serve for texts to a lecture. Engravings fall under something like the same rules. To some they say everything; to ignorant and unprepared minds, nothing. I remember noticing this in watching how people looked at a very valuable portfolio belonging to an acquaintance of mine, which contained engraved and authentic portraits of almost every possible person; from king and kaiser down to notorious beggars and criminals; including all the celebrated men, women, and actors, whose likenesses could be obtained. To some, this portfolio gave food for observation, meditation, and conversation. It brought before them every kind of human tragedy—every variety of scenery and costume and grouping in the background, thronged with figures called up by their imagination. Others took them up and laid them down, simply saying, “This is a pretty face!” “Oh, what a pair of eyebrows!” “Look at this queer dress!”