Again the scene changed. It was night in the colonnaded hall, moonbeams patching the tessellated floor, flickering points of yellow flame swinging slightly with the hanging lamps in the gloom under the intricacy of the arches. A shadow moved out of the darkness, stood in the moonlight, waited for a moment, then dropped a veil from its face. It was the dancing-girl. She turned questing eyes about her as though, at risk to herself, she was fulfilling an appointment that was not yet met.
Another shadow slid out of the gloom under the arches, approached her--another woman, young also and also beautiful, but with a beauty--its character was startlingly vivid to those watchers--that was insinuatingly treacherous, the beauty that smiles as it betrays. She stood now with the erstwhile dancing-girl in the moonlight, spoke to her with an assumption of gravely concerned and pitying friendship, shook her head dolefully as though in distress at her own message. The dancing-girl revolted with a vehement gesture of denial, of impossibility--but her dark eyes flashed and her nostrils quivered. The other persisted, in emphatic asseveration, her face a study in subtle malice. She pointed to the heavy curtains which draped the just-seen extremity of the hall, a fiercely assertive significance in her gesture.
The girl shrank back, shuddered. Then, with a slow turn of her body from the tempter, she relapsed into herself, into a fierce meditation where her eyes swept the shadows about her, where her lips uncovered her teeth in a quick-caught breath and her clenched fist went slowly, tensely, up to the side of her head in an agony that was beyond words. The other woman contemplated her, just restraining a smile, diabolically malicious--appealed once more to those hanging curtains for proof of her sincerity. The girl, forlorn, gripped in some immense unhappiness, nodded sombrely, with set teeth. With one last unobserved smile of evil triumph, the other woman vanished.
For a long moment the girl hesitated. Then, with stealthy, feline step, her shoulders crouched, she commenced to move along the hall. Her gaze, a gaze of wide-open eyes set in the horror of some torture of the soul, was fixed as though fascinated upon those heavy curtains which she approached. She attained them, stopped, stood with one hand in a final hesitation upon the folds, her bosom heaving with fiercely primitive emotions. Then, in a violent determination, she flung them aside.