He journeys on through the twilit gloom. The horror of the life gathered about him is no more grim than is the condition of his witless brain. Over hills and through brakes; in valleys and along winding tracks made by the forest lords; now pushing his way through close-growing scrub, now passing like a fierce shadow among the bare, primeval tree-trunks, he moves forward. His goal is ahead, and one instinct, one desire, urges him onward. He knows nought of his surroundings, he sees nought. His chaotic brain is aware only of its mad purpose.
Suddenly the bush parts. There stands the store of Victor Gagnon in the bright light of day. Swift to the door he speeds, but pauses as he finds it locked. The pause is brief. A shot from his pistol shatters the lock, the door flies open at his touch, and he passes within. Then follows a cry that has in it the tone of a baffled creature robbed of its prey; it is like the night cry of the puma that shrinks at the blaze of the camp-fire; it is fierce, terrible. The house is empty.
But the cunning of the madman does not desert him. He sets out to search, peering here, there, and everywhere. As the moments pass, and no living thing is to be seen within, his anger rises like a fierce summer storm. He stands in the centre of the store which is filled with a disordered array of stuffs. His eyes light upon the wooden trap which opens upon the cellar where Victor stores his skins. Once more the fire flares up in his dreadful eyes. An oil-lamp is upon a shelf. He dashes towards it, and soon its dull, yellow flame sheds its feeble rays about. He stoops and prises up the heavy square of wood. Below sees the top rungs of a rough ladder. His poor brain is incapable of argument and with a fierce joy he clambers down into the dank, earthy atmosphere of the cellar.
All is silent again except for the shuffling of his almost bare feet upon the uneven ladder. The last rung is gone, and he drops heavily to the ground. Then, for awhile, silence reigns.
During that silence there comes a figure stealing round the angle at the back of the building. It is a slight, dark figure, and it moves with extreme caution. There is a look on the narrow face which is one of superstitious horror. It is Victor Gagnon escaped from his prison, and he advances haltingly, for he has seen the approach of his uncanny visitor, and he knows not what to do. His inclination is to flee, yet is he held fascinated. He advances no further than the front angle of the building, where he stands shaking with nervous apprehension.
